細節
ANVANZINO NUCCI (GUALDO TADINO 1551-1629 ROME)
Enée et la Sybille de Cumes (recto); Esquisse d'une femme (verso)
plume et encre brune, lavis brun, rehaussé de blanc, sur papier bleu
19,5 x 22,2 cm (7 5⁄8 x 8 ¾ in.)
來源
Cesare Frigerio (1890-1977) Milan (L. 4363).
Herbert List (1903-1975) Munich.
Galerie Arnoldi-Livie, Vom Manierismus bis in die Goethezeit Bilder und Zeichnungen, 1982, n° 15.
Vente anonyme; Londres, Sotheby’s, 14 avril 1986, lot 227.
Margot Gordon, New York et Rome, Marcello Aldega, Italian Drawings of XVI Century, 1986, n° 13.
Collection particulière, Massachusetts.
出版
J. Katalan, ‘Avanzino Nucci and the Polidoro Album’, Master Drawings, été 1990, pp.176-177, fig. 5.
更多詳情
AVANZINO NUCCI, AENEAS AND THE CUMAEAN SIBYL, PEN AND BROWN WASH, HEIGHTENED WITH WHITE
Drawn by a pupil of Niccolò Circignani, known as Il Pomarancio, active in Rome at the end of the sixteenth century and working in the tradition of Mannerist fresco decoration, this study has been stylistically compared with two drawings executed in the same technique: Saint Francis Supported by Two Angels (London, British Museum) and the Virgin and Child with Musical Angels (Paris, Musée du Louvre), as discussed by Jak Katalan in his article for Master Drawings (op. cit.).
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