AN EARTHENWARE SCULPTURE OF A WOMAN (SHAKOKI DOGU)
AN EARTHENWARE SCULPTURE OF A WOMAN (SHAKOKI DOGU)
AN EARTHENWARE SCULPTURE OF A WOMAN (SHAKOKI DOGU)
AN EARTHENWARE SCULPTURE OF A WOMAN (SHAKOKI DOGU)
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AN EARTHENWARE SCULPTURE OF A WOMAN (SHAKOKI DOGU)

LATE JOMON PERIOD (5TH-3RD CENTURY BCE)

Details
AN EARTHENWARE SCULPTURE OF A WOMAN (SHAKOKI DOGU)
LATE JOMON PERIOD (5TH-3RD CENTURY BCE)
Of low-fired clay with black fire marks, the body of a goggle-eyed figure, decorated with scrolling cord pattern, wearing head-ornament with inscised designs
5 ¼ in. (13.3 cm.) long
The results of the report on Thermoluminescence Analysis no. N126d12 obtained by the Research Laboratory for Archaeology and the History of Art, Oxford University, are consistent with the dating of this lot
Provenance
Excavated from Hikage Gontaro's field at Kami-Yokosawa, Iwate-machi, by repute

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Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Japanese and Korean Art

Lot Essay

This figure displays the typical decoration of a shakoki dogu (goggle-eyed figure), one of the two mainstream types of clay figurine made at Kamegaoka in Aomori prefecture during the Final Jomon period. Modelled using incised cord marks and distinctive features of the small and narrow eyes suggest the date of this figure to be latter half of the ‘goggled-eye’ period. A similar shakoki dogu with small and narrow eyes is in the collection of the Metropolitan Museum of Art, New York.

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