MEIJI PERIOD (LATE 19TH-EARLY 20TH CENTURY)

Three distinct enameling techniques are employed throughout the piece. Translucent enamels, or Hirata enamels, allow the silver ground beneath to shimmer through, while opaque enamels evoke the jewel-like brilliance associated with the “Seven Treasures” (Shippo, also referring to enamel in Japanese) of Buddhism. Beneath each of the six panels appears a third technique, champlevé enameling.
The present lot is fitted with a delicately pierced lid surmounted by a finial in the form of a kingfisher. The enameled kingfisher, perched on a branch, forms an elegant sculptural element in its own. Three of the panels depict powerful mythological creatures: the dragon, phoenix, and karashishi accompanied by peony blossoms. The the remaining panels evoke symbols of imperial and shogunal authority: chrysanthemum, paulownia and mitsu-aoi.
The interior silver liner is removable, revealing the finely hammered construction of the base.