A CLOISONNÉ ENAMEL AND SOFT-METAL-INLAID SILVER AND SHAKUDO VASE
A CLOISONNÉ ENAMEL AND SOFT-METAL-INLAID SILVER AND SHAKUDO VASE
A CLOISONNÉ ENAMEL AND SOFT-METAL-INLAID SILVER AND SHAKUDO VASE
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A CLOISONNÉ ENAMEL AND SOFT-METAL-INLAID SILVER AND SHAKUDO VASE
6 More
A CLOISONNÉ ENAMEL AND SOFT-METAL-INLAID SILVER AND SHAKUDO VASE

MEIJI PERIOD (LATE 19TH CENTURY), SEALED TAKASAKI (TAKASAKI KOICHI)

Details
A CLOISONNÉ ENAMEL AND SOFT-METAL-INLAID SILVER AND SHAKUDO VASE
MEIJI PERIOD (LATE 19TH CENTURY), SEALED TAKASAKI (TAKASAKI KOICHI)
7 7⁄8 in. (20 cm.) high
Wtih a wood box
Provenance
Suto Family, August 1935

Brought to you by

Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Japanese and Korean Art

Lot Essay

Enamel works were first produced in Japan in the mid-19th century, which were decorated with rough and dark enamelling in crude imitation of Chinese prototypes. However, shortly by the late 1880s, a new level of refinement was achieved.
Takasaki Koichi is known as one of the most prominent metal-artists of the Meiji period and he exhibited a pair of silver vases with applied enamel at the International Exposition held in Paris in 1900.
For a work by the same artist, see Enamel, vol. 3 of Meiji no Takara Treasures of Imperial Japan: The Nasser D. Khalili Collection of Japanese Art, Oliver Impey and Malcolm Fairley, gen. eds. (London: The Kibo Foundation, 1995), no. 80.

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