STUART DAVIS (1892-1964)
STUART DAVIS (1892-1964)
STUART DAVIS (1892-1964)
STUART DAVIS (1892-1964)
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PROPERTY FROM AN IMPORTANT ATLANTA COLLECTION
STUART DAVIS (1892-1964)

Gloucester Wharf

細節
STUART DAVIS (1892-1964)
Gloucester Wharf
signed and dated 'Stuart Davis 1936·' (center right)—signed and dated again 'May·1936' (on the reverse)
gouache and pencil on paperboard
18 ¼ x 24 ¼ in. (46.4 x 61.6 cm.)
Executed in 1936.
來源
The artist.
Louis Schapiro, Boston, Massachusetts, 1938.
The artist.
Mr. and Mrs. Lester W. Bentley, Greenwich, Connecticut, acquired from the above, by 1951.
Private collection, Norwalk, Connecticut, by descent from the above.
Beacon Hill Fine Art, New York.
Acquired by the present owner from the above, 1998.
出版
A. Boyajian, M. Rutkoski, Stuart Davis: A Catalogue Raisonné, vol. II, New Haven, Connecticut, 2007, p. 622, no. 1220, illustrated.
展覽
Boston, Massachusetts, Institute of Modern Art, Contemporary Modern Paintings from the Collection of Louis Shapiro, January 1-31, 1942.

榮譽呈獻

Quincie Dixon
Quincie Dixon Associate Specialist, Head of Sale

拍品專文

Stuart Davis’s Gloucester Wharf cleverly transforms an everyday harbor scene along the Massachusetts coast into a vibrant puzzle of color blocks and nautical motifs. Davis visited Gloucester every year from 1915 to 1934, continually inspired by the area’s piers, schooners, landscapes and architecture. Wandering around the familiar rocks and docks, Davis drew in his sketchbook daily scenes that caught his eye. He would then combine multiple such studies into a single painting composition, abandoning typical perspective and representative color. Over the years, his depictions became less realistic and more stylized, developing into his boldly abstracted Gloucester interpretations of the 1930s, such as the present work. As noted by Lowery Stokes Sims, his best works from this period like Gloucester Wharf "demonstrate Davis' working method of balancing the dynamics of recognizable phenomena with the will to engage a modernist vocabulary of his own." (Stuart Davis: American Painter, New York, 1991, p. 224)

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