STUART DAVIS (1892-1964)
STUART DAVIS (1892-1964)
STUART DAVIS (1892-1964)
STUART DAVIS (1892-1964)
3 更多
MODERN AMERICAN ART FROM THE TED SHEN COLLECTION
STUART DAVIS (1892-1964)

Study for 'Egg Beater No. 4'

細節
STUART DAVIS (1892-1964)
Study for 'Egg Beater No. 4'
signed, dated and inscribed with title 'Stuart Davis Feb 9., 28. Egg Beater No. 4' (in the upper margin)
pencil and colored pencil on paper
17 x 21 ½ in. (43.2 x 54.6 cm.)
Executed in 1928.
來源
The artist.
Estate of the above.
Grace Borgenicht Gallery, New York.
Private collection, by 1981.
Sotheby's, New York, 28 November 2007, lot 66.
Acquired by present owner from above.
出版
K. Wilkin, Stuart Davis, New York, 1987, p. 107, pl. 110, illustrated (as Drawing for 'Eggbeater No. 4').
A. Boyajian, M. Rutkowski, Stuart Davis: A Catalogue Raisonné, vol. II, New Haven, Connecticut, 2007, p. 108, no. 236, illustrated.
展覽
New York, Grace Borgenicht Gallery, Stuart Davis: Works on Paper, January 6-31, 1979.
Houston, Texas, Museum of Fine Arts, Stuart Davis: Drawings and Prints, July 10-September 9, 1979, no. 15 (as (Untitled) Drawing for Egg Beater #4).
New York, Metropolitan Museum of Art; San Francisco, California, San Francisco Museum of Modern Art, Stuart Davis, American Painter, November 23, 1991-February 16, 1992, p. 188, no. 76, illustrated (as Drawing for 'Egg Beater No. 4').

榮譽呈獻

Quincie Dixon
Quincie Dixon Associate Specialist, Head of Sale

拍品專文

The present work belongs to Stuart Davis' eminent Egg Beater series, comprised of four paintings–each with a full-scale preparatory drawing, such as the present work. After drawing out his compositions in black and white, Davis created gouache versions of his sketches before finalizing the completed works in oil. As Davis worked as a commercial illustrator for years before establishing himself in the world of fine art, preparatory drawings were integral to his artistic practice, as he believed painting and drawing to be "identical processes," with color simply clarifying the forms already established in drawing. (M. Birmingham, Dynamic Impulse: The Drawings of Stuart Davis, exhibition catalogue, Hollis Taggart Galleries, New York, 2008, p. 16) The preparatory stages of each work, like the present example, emphasize Davis’s thoughtful approach to shape and the intricate intersections of planes.

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