FOUR CALLIGRAPHIC EXERCISES
FOUR CALLIGRAPHIC EXERCISES

POSSIBLY HYDERABAD, SOUTH INDIA, 19TH CENTURY

Details
FOUR CALLIGRAPHIC EXERCISES
POSSIBLY HYDERABAD, SOUTH INDIA, 19TH CENTURY
Opaque pigments heightened with gold on paper, three set within red double rules, the fourth with narrow gold borders, laid down on wove paper, one with inscription on reverse in black naskh, mounted together, framed and glazed
The largest panel 6 1⁄8 x 3 ¼in. (15.5 x 8.2cm.); folio 7 ¾ x 4 7/8in. (19.8 x 12.4cm.)
Provenance
American art market, 1990
Literature
Cheney Cowles, Helen Delacretaz and Barry Till, Image and Word: Indian Paintings, Drawings, and Calligraphy (1350-1830), Victoria, 1998, p.23
Exhibited
'Image and Word: Indian Paintings, Drawings, and Calligraphy (1350-1830)', Art Gallery of Victoria, Canada, 1998
Engraved
1 - A Palm inscribed with repetitions of the word allah (God) and possibly Ayat al-Kursi (Qur’an 2:255)
2 - Possibly the Panjtan (Muhammad, Fatima, ‘Ali, Hasan and Husayn) in the form of a face
3 - Possibly Allah, ‘Ali and Muhammad in the form of a face
4 - The Panjtan

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Lot Essay

Throughout these exercises, we can see the names ‘Ali, Husayn, Mohammed, and Hassan repeated in bold gold calligraphy. Allah is suspended above the names in one calligram, metaphorically signifying the subservience of even the most important Shi'ite figures to God. The face on a dark green ground closely resembles that of one found in the Brooklyn Museum (59.205.17). The configuration of the calligraphy matches in both examples, although ours differs with a lack of ornamentation and is smaller in size.

Calligraphic exercises and calligrams were often designed to have a talismanic element. The hand of Fatima, also known as the khamsa, is a well-known emblem used as a talisman. For example, an 'alam in the Metropolitan Museum of Art, New York (1984.504.2) takes the same form and demonstrates the surviving belief that both the hand of Fatima and the invocation of important Shi'ite figures would provide a level of protection against ill.

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