A KASHAN TURQUOISE POTTERY VESSEL
A KASHAN TURQUOISE POTTERY VESSEL
A KASHAN TURQUOISE POTTERY VESSEL
2 更多
A KASHAN TURQUOISE POTTERY VESSEL

CENTRAL IRAN, 12TH/EARLY 13TH CENTURY

細節
A KASHAN TURQUOISE POTTERY VESSEL
CENTRAL IRAN, 12TH/EARLY 13TH CENTURY
The body on tall unglazed foot, a band of incised abstract decoration around the body, the covered top with a lattice of rings rising from the shoulder, the top with a pointed finial rising from the centre with three small openings at its base, intact
8 ½in. (21cm.) high; 6 ¼in. (15cm.) diam.
來源
Japan by 1987 as indicated by presentation box signed Kiyoshi Ichikawa (1896-1987)
更多詳情
Some countries prohibit or restrict the purchase and/or import of Iranian-origin property. Bidders must familiarise themselves with any laws or shipping restrictions that apply to them before bidding on these lots. For example, the USA prohibits dealings in and import of Iranian-origin “works of conventional craftsmanship” (such as carpets, textiles, decorative objects, and scientific instruments) without an appropriate licence. Christie’s has a general OFAC licence which, subject to compliance with certain conditions, would enable a buyer to import certain lots of this type into the USA. If you intend to use Christie’s licence, please contact us for further information before you bid

榮譽呈獻

Phoebe Jowett Smith
Phoebe Jowett Smith Sale Coordinator & Cataloguer

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拍品專文

The function of this little vessel is a puzzle. It has three holes at the bottom of the finial but is otherwise closed in form. It is one of a group that all employ this circular lattice work, but which all have unknown purpose. It is unlikely to have been an incense burner, as the interior glaze surface would have suffered from the heat and smoke. It may have been used to hold a scented liquid, although it is unclear then what the function of the holes was. Another related vessel is in the Sarikhani Collection. Like ours, it is “impressively elaborate but essentially useless, perhaps meant just to stand as a centrepiece for display” (I.CE.2103; Oliver Watson, Ceramics of Iran. Islamic Pottery from the Sarikhani Collection, London, 2020, pp.174-75, no.89).

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