SHAH JAHAN AND HIS SONS DARA SHIKOH, SHAH SHUJA', MURAD AND AURANGZEB
SHAH JAHAN AND HIS SONS DARA SHIKOH, SHAH SHUJA', MURAD AND AURANGZEB
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SHAH JAHAN AND HIS SONS DARA SHIKOH, SHAH SHUJA', MURAD AND AURANGZEB

PROBABLY GOLCONDA, DECCAN, INDIA, CIRCA 1700

Details
SHAH JAHAN AND HIS SONS DARA SHIKOH, SHAH SHUJA', MURAD AND AURANGZEB
PROBABLY GOLCONDA, DECCAN, INDIA, CIRCA 1700
Opaque pigments heightened with gold on paper, within a gold border with polychrome floral meander, the reverse identifying the sitters in sepia Latin and black devanagari inscriptions, mounted, framed and glazed
Painting 12 3⁄8 x 8 ¼in. (31.5 x 21cm.); folio 13 1⁄8 x 9 ¼in. (33.5 x 23.6cm.)
Provenance
With Sotheby's, pre-1950 per label on reverse of frame
By repute, UK private collection by 1950s

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Lot Essay

This painting likely formed part of an album created for a Dutch merchant or official to the Deccan, where the VOC had established a permanent presence (in Golconda) from the 1630s. Likely produced as sets on commission for the European patrons, the painting is nearly identical to another of the same scene now in the Free Library of Philadelphia (Lewis M 203) and would have belonged to a larger album similar to that owned by the eighteenth century VOC official Adrianus Canter Visscher which is now in the Rijksmuseum, Amsterdam (NG-2008-60-1 to NG-2008-60-28). The Visscher album is notable for its variety of scenes including both single and group portraits whereby these albums more typically appear to include solely single figure studies. Examples include the Witsen Album, also in the Rijksmuseum (RP-T-00-3186), an album of unknown owner in the Bibliothèque Nationale, Paris (Estampes, Od 32 and Od 61) and the 'Mongolsche Keysers' album likely commissioned by Cornelius le Bruyn (portraits from which were sold in these Rooms, 1 May 2025, lots 64 and 65; and 27 October 2023, lot 65 and 66).

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