A FINE AND SUPERB CELADON-GLAZED DRUM-SHAPED JAR
A FINE AND SUPERB CELADON-GLAZED DRUM-SHAPED JAR
A FINE AND SUPERB CELADON-GLAZED DRUM-SHAPED JAR
A FINE AND SUPERB CELADON-GLAZED DRUM-SHAPED JAR
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Property from the Dawentang Collection
A FINE AND SUPERB CELADON-GLAZED DRUM-SHAPED JAR

QIANLONG SIX-CHARACTER SEAL MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1736-1795)

Details
A FINE AND SUPERB CELADON-GLAZED DRUM-SHAPED JAR
QIANLONG SIX-CHARACTER SEAL MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1736-1795)
6 3⁄8 in. (16.1 cm.) high
Provenance
Collection of T. Y. Chao
Offered at Sotheby's Hong Kong, The T. Y. Chao Private and Family Trust Collections of Important Chinese Ceramics and Jade Carvings: Part I, 18 November 1986, lot 87
Offered at Sotheby's Hong Kong, 1 November 1999, lot 421
Literature
Chinese Ceramics from the Dawentang Collection, Vol. II, Hong Kong, 2019, pp.536-539, no. 106
Exhibited
Chinese University of Hong Kong, Ch’ing Porcelain from the Wah Kwong Collection, Hong Kong, November 1973-February 1974, cat. no. 18

Lot Essay

The jar is applied with two lion-mask handles and a band of bosses around the shoulder and above the foot, covered overall with an even soft green glaze. This type of vessel is named as huanang (flower holder) in the Qing court archives. On the 26th day of the 5th month of the Yongzheng 6th year, "a celadon-glazed huanang" was presented to the emperor, serving as the prototype for the present piece. Later, on the 13th day of the 10th month of the Qianlong 2nd year, "a drum-shaped double-handled huanang " was presented to Qianlong, indicating that this form was frequently produced during the Qianlong period.

Compare this rare jar with two related examples, one was included in An Exhibition of Important Chinese Ceramics from the Robert Chang Collection, London, 1993, cat. no. 67; one from the National Palace Museum, Taipei, collection number: zhongci 001162.

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