LIN FENGMIAN (1900-1991)
LIN FENGMIAN (1900-1991)
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LIN FENGMIAN (1900-1991)

Lotus Pond

Details
LIN FENGMIAN (1900-1991)
Lotus Pond
Scroll, mounted and framed, ink and colour on paper
65 x 68 cm. (25 5⁄8 x 26 ¾ in.)
Signed, with one seal of the artist
Provenance
Property of a private Swiss collector;
Christie’s Hong Kong, Fine Chinese Modern Paintings II, 28 May 2013, Lot 1430.

Brought to you by

Carmen Shek Cerne (石嘉雯)
Carmen Shek Cerne (石嘉雯) Vice President, Head of Department, Chinese Paintings

Lot Essay

Lin Fengmian was one of the most important painters of the twentieth century. His early studies in France enabled him to adopt Western modernism as a primary mode of artistic expression, while incorporating elements of Chinese social life and emotional sensibility, resulting in a distinctive artistic language that bridges Eastern and Western traditions.

Lotus Pond presents an aspect of Lin Fengmian’s midperiod artistic creation: the work reveals a serene and elegant lyrical atmosphere, yet faintly carries a sense of solitude and detachment. Through layers of overlapping colors, the painting constructs the image of the lotus. The brushwork is bold and not bound by realism, employing the expressive language of Western modern painting while simultaneously evoking the appearance of traditional Chinese landscapes.

Lin Fengmian was particularly skilled at using rich gradations of color to convey emotion. Within the whiteness of the lotus petals lie subtle and intricate brushstrokes, and their dazzling translucence reflects the lotus’s symbolic purity and perfection—qualities derived from the fact that it grows out of mud yet remains undefiled. The lotus realm in the painting also seems to mirror a secluded world deep within Lin Fengmian’s heart, a place where he could find refuge amid loneliness and suffering.

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