EDOUARD VUILLARD (1868-1940)
EDOUARD VUILLARD (1868-1940)
EDOUARD VUILLARD (1868-1940)
2 更多
PROPERTY FROM THE COLLECTION OF JULIAN COHEN
EDOUARD VUILLARD (1868-1940)

Les enfants Weil au salon (Etude pour Madame Weil et ses enfants)

細節
EDOUARD VUILLARD (1868-1940)
Les enfants Weil au salon (Etude pour Madame Weil et ses enfants)
signed with initials 'EV.' (lower right)
pastel and charcoal on toned paper
9 ½ x 12 in. (24 x 30.5 cm.)
Drawn circa 1922-1923
來源
Juliette and Dr. Prosper-Émile Weil, Paris.
Transferred to the Château du Chambon, Laguenne (Corrèze) (20 August 1939).
Seized by officials of the Vichy regime and German agents on 16 April 1943 and transferred to the Banque de France, Limoges (24 April-19 August 1943).
Transferred to the Commissariat General for Jewish Affairs (CGQJ), Paris, 10-11 August 1943 (inv. Schloss 176).
Registered at the Banque Dreyfus and valued by André Schoeller, Paris, no. 5 (September 1943).
Galerie Raphaël Gérard, Paris (28 September 1943, inv. no. 22146).
Felix Mockers, Nice (acquired from the above, 10 December 1943).
Galerie Aktuaryus, Zurich (before 1946).
Anon. sale, Klipstein & Kornfeld, Bern, 18 June 1960, lot 1053.
Galerie Hopkins, Paris.
Acquired from the above by the present owner, May 2000.

Please note that the present work is being offered for sale pursuant to a settlement agreement between the current owner and the heirs of Prosper-Émile Weil and Juliette Weil. This agreement resolves the dispute over ownership of the work, and title will pass to the successful bidder.
更多詳情
This work will be included in the forthcoming supplement of the catalogue critique of paintings and drawings by Edouard Vuillard being prepared by Mathias Chivot and the Archives Vuillard.

榮譽呈獻

Jakob Angner
Jakob Angner Associate Vice President, Specialist, Head of Impressionist and Modern Art Works on Paper Sale

拍品專文

Prosper-Émile Weil (1873-1963) and his wife Juliette Weil (1885-1976) were notable art collectors and close friends of the artist Édouard Vuillard. Juliette Weil was the daughter of the renowned art collector Adolphe Schloss (1842-1910). Following the German occupation of Paris, Prosper-Émile and Juliette, who were Jewish, hid their art collection at the Château de Chambon, alongside the Schloss collection. Both the Weil and the Schloss collections were seized by Vichy and German officials in August 1943. The Weil collection was transported back to Paris, and many of the Weil artworks were sold through Galerie Raphaël Gérard.

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