GUSTAV KLIMT (1862-1918)
GUSTAV KLIMT (1862-1918)
GUSTAV KLIMT (1862-1918)
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REDISCOVERED KLIMTS FROM A PRIVATE COLLECTION
GUSTAV KLIMT (1862-1918)

Stehender Frauenakt mit erhobenem rechtem Arm, Studie für "Veritas" im Fakultätsbild "Die Jurisprudenz"

Details
GUSTAV KLIMT (1862-1918)
Stehender Frauenakt mit erhobenem rechtem Arm, Studie für "Veritas" im Fakultätsbild "Die Jurisprudenz"
with Nachlass inscription 'Nachlass meines Bruders Gustav Hermine Klimt' (lower left)
black chalk on paper
17 3⁄8 x 10 ¾ in. (44.2 x 27.3 cm.)
Drawn in 1903
Provenance
Estate of the artist.
Hermine Klimt, Vienna (sister of the artist).
Private collection, Prague and New York (by 1938).
By descent from the above to the present owners.
Further details
Dr. Marian Bisanz-Prakken intends to include this work in the planned supplement volume of Alice Strobl’s catalogue raisonné of Gustav Klimt’s drawings.

We are thankful to Dr. Marian Bisanz-Prakken for her help cataloguing this work.

Brought to you by

Jakob Angner
Jakob Angner Associate Vice President, Specialist, Head of Impressionist and Modern Art Works on Paper Sale

Lot Essay

This recently rediscovered sheet can be closely associated with Jurisprudence, one of Gustav Klimt’s celebrated Faculty Paintings. The frontal standing female nude, rendered with contrapposto and the hip subtly projecting to the left, corresponds to a sequence of studies for the figure of Veritas (Truth). In the final composition, Veritas emerges as a luminous, upright presence set against a darker, more turbulent field of intertwined figures – her calm, frontal pose and introspective gesture establishing a striking contrast to the surrounding sense of entanglement and psychological tension. The sheet’s dimensions and handling align closely with other known studies for Jurisprudence, offering a compelling insight into Klimt’s evolving conception of one of his most enigmatic allegorical figures.

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