WINSLOW HOMER (1836-1910)
WINSLOW HOMER (1836-1910)
WINSLOW HOMER (1836-1910)
2 More
THE COLLECTION OF LORINDA PAYSON DE ROULET
WINSLOW HOMER (1836-1910)

Farmhouse on a Hill

Details
WINSLOW HOMER (1836-1910)
Farmhouse on a Hill
signed and dated 'Winslow Homer 1878' (lower left)
watercolor and gouache on paper
10 x 18 ¼ in. (25.4 x 46.4 cm.)
Painted in 1878
Provenance
(probably) Wm. A. Butters & Co., Chicago (December 1879).
Mrs. Gannon, Chicago.
Katherine Gannon Phemister, Chicago (by descent from the above, by 1936).
Bruce Phemister, Chicago (by descent from the above).
Victor D. Spark, New York (1961).
Hirschl & Adler Galleries, Inc., New York; sale to benefit the Whitney Museum Fund, Parke-Bernet Galleries, Inc., New York, 11 May 1966, lot 12.
Joan Whitney and Charles Shipman Payson, New York (probably acquired at the above sale).
By descent from the above to the present owner.
Literature
(probably) "Fine Arts. Water Color Exhibition" in New York Herald, 24 February 1879.
(probably) M.G. Van Rensselaer, "Recent Pictures in New York" in American Architect and Building News, vol. V, 22 March 1879, p. 93.
L. Goodrich and A.B. Gerdts, Record of Works by Winslow Homer: 1877 to March 1881, New York, 2008, vol. II, p. 110, no. 667 (illustrated).
Exhibited
(probably) New York, American Water Color Society, Twelfth Annual Exhibition, 1879, p. 19, no. 356 (titled Old House).
Mountainville, New York, Storm King Art Center, Winslow Homer in New York State, June-August 1963, p. 29, no. 19.
Kyoto Municipal Museum and Tokyo, Isetan Museum of Art, From Goya to Wyeth, The Joan Whitney Payson Collection, September-December 1980, no. 68 (illustrated in color).
Roslyn, New York, Nassau County Museum of Fine Art, The Long Island Collections, A Century of Art: 1880-1980, April-July 1982.

Brought to you by

Emmanuelle Loulmet
Emmanuelle Loulmet Specialist, Head of the Impressionist and Modern Day Sale

Lot Essay

Having established himself as a respected artist in the 1860s with his moving depictions of Civil War soldiers, Winslow Homer solidified his place as a great American artist with his paintings of nostalgic rural life in the following decade, such as Farmhouse on a Hill. During a time of Restoration for the country, Homer's concentration on the simple ways of the past reflected the need for hope and peace in the nation. At the same time, Homer's tendency toward a contemplative mood in his works acknowledged the feelings of the public in a time of national uncertainty, as well as his own personal disquietude as he approached middle age.
The present work was painted during Homer's extended stay in the summer and fall of 1878 at Houghton Farm, a working homestead in Mountainville, New York, owned by Homer's first and most important patron, Lawson Valentine. A varnish manufacturer who eventually owned approximately forty works by the artist, Valentine purchased Houghton Farm in 1876 and soon invited Homer to visit. With its picturesque horses, Jersey cows and Southdown sheep, the farm inspired the artist to create approximately fifty watercolors and several drawings and studies. Likely referring to the present work, a contemporary reviewer described "a deep lavender heaven and scarlet cows dabbed in with the same brush that had been loaded for the autumn sumach bushes" (M.G. Van Rensselaer, "Recent Pictures in New York" in American Architect and Building News, vol. V, March 22, 1879, p. 93). Farmhouse on a Hill is a stunning bucolic scene emblematic of this important period in Homer's career.

More from Impressionist and Modern Art Day Sale

View All
View All