ROMAN SCHOOL, EARLY 17TH CENTURY
ROMAN SCHOOL, EARLY 17TH CENTURY
ROMAN SCHOOL, EARLY 17TH CENTURY
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ROMAN SCHOOL, EARLY 17TH CENTURY
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A Lifelong Pursuit: Old Masters from a Distinguished Private Collection
ROMAN SCHOOL, EARLY 17TH CENTURY

Two seated male figures personifying Astronomy and Philosophy

Details
ROMAN SCHOOL, EARLY 17TH CENTURY
Two seated male figures personifying Astronomy and Philosophy
oil on panel
the first, 25 ¼ x 17 ¼ in. (64.2 x 43.8 cm.); the second, 25 x 17 1⁄8 in. (63.1 x 43.5 cm.)(2)
a pair
Provenance
(Possibly) Pope Paul IV (according to a seal on the reverse).
(Possibly) Cardinal Fesch (1763-1839) (according to a seal on the reverse).
(Possibly) Canon Joseph-Marius Thaneron (1792-1854), Aix-en-Provence.
Robert-Constant Bouhier de l'Ecluse (1799-1870), Paris; his sale, 23-25 May 1870, lots 35-36, as 'Buonarotti Michelangelo' (according to a label on the reverse).
Anonymous sale; Galliera, Paris, 7 December 1976, lot 18.
Anonymous sale; Sotheby's, New York, 12 January 1995, lot 48, as Roman School, 17th Century.
Art market, Paris, where acquired by the present owner in 2000.
Literature
P. Leone De Castris, 'Due Dipinti di Polidoro al Tempo del Sacco', Bollettino d'Arte, January-March 1997, pp. 61-66, as Polidoro da Caravaggio.
P. Leone De Castris, Polidoro da Caravaggio: L'opera Completa, Naples, 2001, pp. 237, 261-264 and 267, figs. 55 and 56, as Polidoro da Caravaggio.

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Taylor Alessio
Taylor Alessio Associate Vice President, Associate Specialist Head of Part II

Lot Essay

These two monumental figures are directly modelled on designs by the two Renaissance geniuses, Raphael and Michelangelo. Astronomy assumes the same twisting pose, though in reverse, as Raphael's Tiburtine Sibyl in the church of Santa Maria della Pace, Rome, which was frescoed for Agostino Chigi in 1514. The figures' blue and yellow draperies are the same, though here the artist has substituted the green skirt of Raphael's Sibyl with a red one. Philosophy, on the other hand, derives from Michelangelo's colossal marble statue of Moses, which dates from around the same moment (c. 1513-15). That figure was created for one of Michelangelo's most challenging and complex commissions, the tomb of Pope Julius II, and is today located in the church of San Pietro in Vincoli, Rome. Although reversed from the original, the figure here also adopts a dynamic contrapposto pose, with its limbs arranged in the same position as those of Moses, and with details – such as the hands interlacing the beard – faithfully replicated.

We are very grateful to Prof. David Ekserdjian for pointing out the connection between Raphael's Sibyl and Astronomy.

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