CIRCLE OF ANDREA RICCIO, ITALY, LATE 15TH CENTURY
CIRCLE OF ANDREA RICCIO, ITALY, LATE 15TH CENTURY
CIRCLE OF ANDREA RICCIO, ITALY, LATE 15TH CENTURY
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CIRCLE OF ANDREA RICCIO, ITALY, LATE 15TH CENTURY
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Property from the Estate of Ambassador J. William Middendorf II, Rhode Island
CIRCLE OF ANDREA RICCIO, ITALY, LATE 15TH CENTURY

A TERRACOTTA FIGURE OF SAINT CATHERINE OF ALEXANDRIA

Details
CIRCLE OF ANDREA RICCIO, ITALY, LATE 15TH CENTURY
A TERRACOTTA FIGURE OF SAINT CATHERINE OF ALEXANDRIA
terracotta
45 in. (114.3 cm.) high
Provenance
Heim Gallery, London
Collection of Arthur M. Sackler, sold; Sotheby's New York, 29 January 2010, lot 409
Literature
D. Bonzato, F. Pellegrini and M. De Vincenti (eds.), Dal Medioevo a Canova. Sculture dei Musei Civico di Padova dal Trecento all'Ottocento (exh.cat.), Musei Civi agli Eremitani, Padua, 20 February-16 July, 2000, p. 119.
A. Bacchi and L. Giacomelli (eds.), Rinascimento E Passione Per L'Antico. Andrea Riccio e il suo Tempo (exh.cat.), Trento, 2008, p. 29, p. 63, fig. 46, p. 252.
Exhibited
Heim Gallery, Summer 1972, no. 26.
C. Avery (ed.), Fingerprints of the Artist: European Terra-cotta Sculpture from the Arthur M. Sackler Collections, The National Gallery of Art, Washington, D.C., 25 October, 1979-5 October, 1980, The Metropolitan Museum of Art, New York, 21 March-6 September, 1981, The Fogg Art Museum, Cambridge, Fall/Winter, 1981⁄82, cat. no. 6, pp. 40-41.
J. Draper (ed.), European Terracottas from the Arthur M. Sackler Collections, The Metropolitan Museum of Art, New York, 21 March-6 September, 1981, cat. no. 5.

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Taylor Alessio
Taylor Alessio Associate Vice President, Associate Specialist Head of Part II

Lot Essay

As was noted when this sculpture was sold as part of the celebrated collections of Renaissance terracottas in the Sackler collection, this elegant high relief of Saint Catherine is among a group of terracottas which have been the subject of decades of serious scholarly dialogue regarding the complex field of Paduan terracotta sculpture and, in recent years, the traditional attribution of this figure of Saint Catherine to Giovanni Minelli was discarded and the authorship of the important Paduan contemporary of Minelli, Giovanni de Fondulis, or Giovanni di Fondulino Fonduli da Crema, was corroborated.

Scholars have recently reconstructed the oeuvre of this innovative sculptor, who worked with other major artists of the Italian Renaissance including Andrea Riccio, and now attribute the majority of sculptures once given Minelli to him, as was also noted in the Sackler sale catalogue. Fondulis is praised for his hyper-realistic reinterpretation of the naturalism pioneered in the work of Donatello and Andrea Mantegna in Padua a generation before and he has gained a reputation of one of the most pivotal artists of the late 15th century Veneto.

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