Lot Essay
A note on the provenance
Lots 119 and 120 are from the collection partly inherited and partly formed by Patrick Lindsay and arranged with characteristic taste by Lady Amabel, whom he married in 1955, in their house in Lansdowne Road. Brought up with great works of art, Patrick spent some time with his father’s friend, Bernard Berenson, before becoming a director of Christie’s in 1955. As head of the picture department, he made a very significant contribution to the post-war revival of Christie’s. No one who knew him will forget his instinctive response to great works of art, the conviction with which this was expressed, or the flair with which he pursued the interests that mattered to him.
Lots 119 and 120 are from the collection partly inherited and partly formed by Patrick Lindsay and arranged with characteristic taste by Lady Amabel, whom he married in 1955, in their house in Lansdowne Road. Brought up with great works of art, Patrick spent some time with his father’s friend, Bernard Berenson, before becoming a director of Christie’s in 1955. As head of the picture department, he made a very significant contribution to the post-war revival of Christie’s. No one who knew him will forget his instinctive response to great works of art, the conviction with which this was expressed, or the flair with which he pursued the interests that mattered to him.
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