JOHN RODDAM SPENCER STANHOPE (CAWTHORNE 1829-1908 FLORENCE)
JOHN RODDAM SPENCER STANHOPE (CAWTHORNE 1829-1908 FLORENCE)
JOHN RODDAM SPENCER STANHOPE (CAWTHORNE 1829-1908 FLORENCE)
JOHN RODDAM SPENCER STANHOPE (CAWTHORNE 1829-1908 FLORENCE)
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PROPERTY FROM THE COLTART COLLECTION
JOHN RODDAM SPENCER STANHOPE (CAWTHORNE 1829-1908 FLORENCE)

The Barge of Love

細節
JOHN RODDAM SPENCER STANHOPE (CAWTHORNE 1829-1908 FLORENCE)
The Barge of Love
pencil, watercolour and bodycolour, heightened with gum arabic on paper
14 x 19 7⁄8 in. (35.5 x 50.5 cm.)
來源
Mrs Eleanor Tonge Coltart, Woodleigh, Birkenhead, and by descent to
Clyde Birkmyre Coltart, Chester and by descent to
William Birkmyre Coltart, Hastings, New Zealand, and by descent to the present owner.

榮譽呈獻

Lucy Speelman
Lucy Speelman Associate Specialist, Head of Day Sale

拍品專文

Jonathan and Eleanor Tonge were clients of the most prominent picture dealer of the day, Ernest Gambart. After Tonge’s death in 1881 Eleanor married William Coltart of Woodleigh, Birkenhead. Coltart and Sons were ropemakers of Liverpool. They supplied the vast fleet of commercial shipping that made Liverpool the engine for global trade in the 19th century. The Coltart collection grew exponentially, and numbered such masterpieces of the period as Burne-Jones’ The Annunciation (1863, Private Collection) and Green Summer (1864, Private Collection), Rossetti’s Lady Lilith (Metropolitan Museum of Art, New York), Ford Madox Brown’s The Coat of Many Colours (Walker Art Gallery, Liverpool) and King Rene’s Honeymoon (Tate, London), and Albert Moore’s The Music Party (1868, Private Collection) and The Bath of Venus.

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