JOHANN CHRISTIAN CLAUSEN DAHL (BERGEN 1788-1857 DRESEN)
JOHANN CHRISTIAN CLAUSEN DAHL (BERGEN 1788-1857 DRESEN)
JOHANN CHRISTIAN CLAUSEN DAHL (BERGEN 1788-1857 DRESEN)
JOHANN CHRISTIAN CLAUSEN DAHL (BERGEN 1788-1857 DRESEN)
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PROPERTY FROM AN IMPORTANT GERMAN PRIVATE COLLECTION
JOHANN CHRISTIAN CLAUSEN DAHL (BERGEN 1788-1857 DRESEN)

Moonlit landscape

Details
JOHANN CHRISTIAN CLAUSEN DAHL (BERGEN 1788-1857 DRESEN)
Moonlit landscape
signed and dated 'Dahl 1832' (lower right)
oil on paper laid on board
5 x 8 in. (12.5 x 20.4 cm.)
Provenance
Thorvald Erichsen (1868-1939; Norwegian Post-Impressionist painter)
Henrik Sørensen, Oslo (1882 - 1962, Norwegian painter and pupil of Matisse, known for his murals in Oslo's Rådhus and in the UN library in Geneva; by descent from the above)
A gift from the son of the above to a private collection, Norway.
Their sale; Sotheby's, London, 6 June 2017, lot 1.
Purcahsed from the above sale by the present owner.

Brought to you by

Lucy Speelman
Lucy Speelman Associate Specialist, Head of Day Sale

Lot Essay

Johan Christian Clausen Dahl’s Moonlit Landscape of 1832 is a finely atmospheric example of the artist’s mature Romantic vision. Dahl possessed an exceptional ability to capture the transient effects of light and weather, transforming modest natural motifs into profoundly evocative images. Dahl became a central figure in the Dresden Romantic circle alongside Caspar David Friedrich and Carl Gustav Carus, and was appointed professor at the Dresden Academy in 1824. The present work reflects the poetic sensibility that linked him closely to his friend and contemporary Caspar David Friedrich.

The composition is dominated by an expansive evening sky animated by luminous clouds drifting across the moonlight. Below, darkened trees and the silhouette of a solitary house create a quiet counterpoint to the movement above. Dahl’s restrained palette of silvery blues, greys and muted violets heightens the meditative atmosphere, while his fluid brushwork lends the cloud formations remarkable immediacy and vitality.

Painted in oil on paper laid on board, the work retains the freshness and spontaneity characteristic of Dahl’s most intimate studies. Though small in scale, it possesses a striking sense of monumentality, revealing the artist’s gift for conveying the emotional and spiritual resonance of nature. In its balance of natural observation and poetic feeling, Moonlit Landscape stands as a compelling expression of Northern Romanticism at its most refined.

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