ADRIAEN VAN STALBEMT (ANTWERP 1580-1662)
ADRIAEN VAN STALBEMT (ANTWERP 1580-1662)
ADRIAEN VAN STALBEMT (ANTWERP 1580-1662)
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ADRIAEN VAN STALBEMT (ANTWERP 1580-1662)

A family walking in a wooded landscape, a view of a village beyond

Details
ADRIAEN VAN STALBEMT (ANTWERP 1580-1662)
A family walking in a wooded landscape, a view of a village beyond
oil on panel
17 ¼ x 33 5⁄8 in. (43.9 x 85.3 cm.)
Provenance
(Probably) César-Louis-Marie Villeminot (1749-1807), Payeur général of the French Navy; his sale (†), Paillet, Paris, 29 May 1807 (=5th day), lot 71 (36.5 francs to Despinasse).
Anonymous sale; Binoche - de Maredsous, Orléans, 28 May 1994.
with Galerie de Jonckheere, 1994.
Anonymous sale; Piasa, Paris, 28 June 2000, lot 12 (590,000 francs).
with Johnny Van Haeften, London, from whom acquired in 2000 by,
Private collection, Guernsey.
Literature
K. Ertz and C. Nitze-Ertz, Adriaen van Stalbemt 1580-1662, Lingen, 2018, p. 176, no. 51, illustrated in colour, p. 73, pl. 68.

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Lucy Speelman
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Lot Essay

Although Adriaen van Stalbemt rarely dated his works, Klaus Ertz provisionally proposed a date of circa 1630-40 for the present panel (op. cit., p. 176). Born in Antwerp, van Stalbemt moved with his family to Middelburg before returning to his native city in 1609, when he became a master in the city’s guild shortly thereafter. In 1632-33, he spent nearly a year in England, where he worked for, among others, King Charles I (see, for example, the View of Greenwich with King Charles I, Queen Henrietta Maria and the Court of circa 1632 in the Royal Collection).

Van Stalbemt specialised in rural and forest landscapes, often populated with humble dwellings viewed through clearings. In contrast with their modest surroundings, elegantly dressed figures here amble along a diagonally receding dirt path, watched by a dog, as in a similar painting dated 1614 in the Staatliche Kunsthalle Karlsruhe (inv. no. 2870). The bright colouration and comparatively high degree of finish in this and other works by van Stalbemt underscore the artist’s indebtedness to the leading Antwerp landscape painter of the age, Jan Brueghel the Elder.

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