ABRAHAM BOSSE (1602-1678)
ABRAHAM BOSSE (1602-1678)
ABRAHAM BOSSE (1602-1678)
ABRAHAM BOSSE (1602-1678)
3 More
PRINTS FROM THE PERSONAL COLLECTION OF THE LATE CHRISTOPHER MENDEZ
ABRAHAM BOSSE (1602-1678)

Traicté des Manières de Graver en Taille Douce

Details
ABRAHAM BOSSE (1602-1678)
Traicté des Manières de Graver en Taille Douce
the book, a fine, complete copy from the first edition
published by the author, Paris, 1645, printed by Pierre des-Hayes, Paris
including the title page, frontispiece in engraving and etching, letterpress text, etched title, and 16 plates by Bosse on the technique of etching and engraving
on laid paper, some plates with partial watermarks
rebound in modern, speckled calf boards and gilt spine
generally in good condition
Book 203 x 140 mm.
Plates 113 x 82 mm. (and similar)
Provenance
Unidentified, stamped initials N&MMJ (?) in an oval on the title page (not in Lugt).
Bloomsbury, London, 5 December 2003.
Christopher Mendez (1943-2025), London; acquired at the above sale; then by descent to present owners.
Literature
W. M. Ivins, Prints & Visual Communication, Cambridge, 1969, p. 75.

Brought to you by

Stefano Franceschi
Stefano Franceschi Specialist

Check the condition report or get in touch for additional information about this

Sign in
View Condition Report

Lot Essay

Abraham Bosse was a prolific engraver and author of several works on the arts of painting, drawing, and perspective. His treatise on the intaglio techniques, dedicated to 'Messieurs les Amateurs' of the arts of engraving and etching, contains a lengthy and detailed series of instructions touching on every aspect of engraving with a burin and etching on both hard and soft grounds. Several chapters are devoted to the preparation of the plates and the varnishes, others cover the actual techniques of engraving and etching, and the final section is devoted to printing and the construction of the press. Each process is illustrated with finely engraved plates by Bosse. The frequently reprinted and widely translated work was 'not only the first on its subject but for more than a century it remained the standard' (quoted from: Ivins, p. 75).

The book comprises the title, etched and engraved frontispiece, dedication plate, preface, avant-propos, Royal privilege, etched title, the letterpress text, and 16 etched plates (two printed twice, recto and verso).

More from Old Master Prints

View All
View All