UTAGAWA HIROSHIGE (1797-1858)
UTAGAWA HIROSHIGE (1797-1858)
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Property from the Alan Medaugh Collection
UTAGAWA HIROSHIGE (1797-1858)

Asakusa tanbo Torinomachi mode (Asakusa Ricefields and Torinomachi Festival)

Details
UTAGAWA HIROSHIGE (1797-1858)
Asakusa tanbo Torinomachi mode (Asakusa Ricefields and Torinomachi Festival)
Woodblock print, from the seires Meisho Edo hyakkei (One hundred famous views of Edo), signed Hiroshige ga, published by Uoya Eikichi, 11th month 1857, deluxe edition
Vertical oban: 14 x 9 ¼ in. (35.6 x 23.5 cm.)
Provenance
Carolyn Staley Fine Japanese Prints, Seattle
Acquired from the above, 1997
Literature
Hiroshige Nature and the City: Prints from the Alan Medaugh Collection (Ludion, 2023). Plate no. 125.

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Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Japanese and Korean Art

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Lot Essay

Hiroshige’s Asakusa Tanbo Torinomachi mode depicts the view from the pleasure quarters of Asakusa toward the annual Torinomachi festival at Chokokuji Temple. Held in November, the festival attracted visitors who came to pray for prosperity and good fortune, creating a lively procession through the surrounding fields and pleasure district. Hiroshige presents the scene from an unusual and intimate viewpoint, with the distant crowds and temple grounds framed by the interior of a pleasure house. The carefully positioned objects in the foreground, together with the expansive view across the rice fields, create a striking contrast between the private world of the pleasure quarters and the festive activity beyond.
The subtle black bokashi on the cat, the black bokashi along the mountain ridge on the horizon, the brown and black bokashi on the yellow and brown roofs, and the black gradation along the bottom of the wall beneath the window are characteristic features of early impressions of this print.

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