UTAGAWA HIROSHIGE (1797-1858)
UTAGAWA HIROSHIGE (1797-1858)
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Property from the Alan Medaugh Collection
UTAGAWA HIROSHIGE (1797-1858)

Yumiharizuki (Bow-shaped moon)

Details
UTAGAWA HIROSHIGE (1797-1858)
Yumiharizuki (Bow-shaped moon)
Woodblock print, from the series Tsuki nijuhakkei no uchi (Among the twenty-eight views of the moon), signed Hiroshige hitsu, published by Wakasaya Yoichi (Jakurindo), circa 1832
Vertical otanzaku: 15 ¼ x 6 5⁄8 in. (38.7 x 16.8 cm.)
Provenance
Grabhorn Collection
Sebastian Izzard Asian Art LLC, New York
Acquired from the above, 2004
Literature
Hiroshige Nature and the City: Prints from the Alan Medaugh Collection (Ludion, 2023). Plate no. 237A.
Alfred Haft, Hiroshige: artist of the open road (UK: The British Museum Press, 2025), Exh. cat., Plate 90.
Exhibited
'Hiroshige: artist of the open road', The British Museum, London, 1 May-7 September 2025

Brought to you by

Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Japanese and Korean Art

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Lot Essay

The upper section of a deep gorge is connected precariously by a rope bridge. Far below a waterfall descends through rocks, illuminated by the light of a crescent moon. The scene is accompanied by a Chinese poem: “Early in the morning the moonlight gleams through some thousands of trees/ The Starry river of the autumn night sky flows west of many mountain peaks” See Matthi Forrer, Hiroshige Nature and the City (London, 2023). Pl. 237A
In the earliest impressions of this design, as in the present example, the censor’s seal and the publisher’s seals appear beside the poem. The deep blue bokashi is concentrated along the upper portion of the composition, while the sky is intentionally left uncolored, creating a striking contrast and preserving the delicacy of the design.

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