UTAGAWA HIROSHIGE (1797-1858)
UTAGAWA HIROSHIGE (1797-1858)
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Property from the Alan Medaugh Collection
UTAGAWA HIROSHIGE (1797-1858)

Quails and Poppies

Details
UTAGAWA HIROSHIGE (1797-1858)
Quails and Poppies
Woodblock print, signed Hiroshige hitsu, published by Kawaguchi Shozo (Shoeido), circa 1830s
Vertical chutanzaku: 14 1⁄8 x 6 1⁄8 in. (35.9 x 15.6 cm.)
Provenance
Gerhard Pulverer
Sebastian Izzard Asian Art LLC, New York
Acquired from the above, 2003
Literature
Hiroshige Nature and the City: Prints from the Alan Medaugh Collection (Ludion, 2023). Plate no. 283.
Alfred Haft, Hiroshige: artist of the open road (UK: The British Museum Press, 2025), Exh. cat., Plate 93.
Exhibited
'Hiroshige: artist of the open road', The British Museum, London, 1 May-7 September 2025

Brought to you by

Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Japanese and Korean Art

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Lot Essay

Hiroshige depicts a quail nestled among flowering poppies in this narrow tanzaku-format composition. The quail, traditionally associated with autumn in Japanese painting, is here paired with the poppy, a flower of summer, creating a poetic interplay of seasonal references. The bird’s richly patterned plumage is set against the broad, simplified blossoms and slender stems, demonstrating Hiroshige’s characteristic ability to combine close observation of nature with elegant, highly controlled design.
The poem by Ikoma Manshi (1654-1719) has been read and translated by John T. Carpenter as:
Aki no yume
Mite ya nakidasu
Mugiuzura
In an autumn dream
The barley quails
Begin to chip

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