UTAGAWA HIROSHIGE (1797-1858)
UTAGAWA HIROSHIGE (1797-1858)
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Property from the Alan Medaugh Collection
UTAGAWA HIROSHIGE (1797-1858)

Bamboo Shoot and Red Plum Blossom

Details
UTAGAWA HIROSHIGE (1797-1858)
Bamboo Shoot and Red Plum Blossom
Woodblock print, signed Hiroshige, published by Mikawaya Heiroku, circa 1849-1852
8 3⁄8 x 9 7⁄8 in. (21.3 x 25.1 cm.)
Provenance
Irma Grabhorn-Engel (1906-2003)
Sebastian Izzard Asian Art LLC, New York
Acquired from the above, 2004
Literature
Hiroshige Nature and the City: Prints from the Alan Medaugh Collection (Ludion, 2023). Plate no. 421.
Alfred Haft, Hiroshige: artist of the open road (UK: The British Museum Press, 2025), Exh. cat., Plate 130.
Exhibited
'Hiroshige: artist of the open road', The British Museum, London, 1 May-7 September 2025

Brought to you by

Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Japanese and Korean Art

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Lot Essay

Hiroshige employed a wide range of subjects in his uchiwa prints, including still lifes such as the present lot. Here, he places a sprig of plum blossom and a bamboo shoot against a pure blue background, making effective use of empty space (yohaku), a feature of East Asian aesthetics that conveys meaning through restraint, while leaving room for the viewer’s imagination. Plum blossoms flower despite the lingering cold, symbolizing resilience and vitality in Chinese culture, while in Japan they have long been celebrated as harbingers of spring. Bamboo shoots likewise emerge in spring. Together, the two motifs form a simple yet evocative celebration of the season’s arrival and renewed vitality.

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