UTAGAWA HIROSHIGE (1797-1858)
UTAGAWA HIROSHIGE (1797-1858)
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Property from the Alan Medaugh Collection
UTAGAWA HIROSHIGE (1797-1858)

Mount Fuji and Otodome Falls

Details
UTAGAWA HIROSHIGE (1797-1858)
Mount Fuji and Otodome Falls
Woodblock print, signed Ryusai, published by Maruya Seijiro (Jukakudo), circa 1849-52
Horizontal aiban: 8 7⁄8 x 11 3⁄8 in. (22.5 x 28.9 cm.)
Provenance
Grabhorn Collection
Sebastian Izzard Asian Art LLC, New York
Acquired from the above, 2006
Literature
Yamaguchi Keizaburo, Masterpieces of Ukiyo-e from the Irma Grabhorn-Engel Collection (Bun You Associates, 1995). Exh. cat. no. 195.
Hiroshige Nature and the City: Prints from the Alan Medaugh Collection (Ludion, 2023). Plate no. 419.
Alfred Haft, Hiroshige: artist of the open road (UK: The British Museum Press, 2025), Exh. cat., Plate 111.
Exhibited
'World Debut Exhibition of the Irma Grabhorn-Engel Collection', Japan, October 1995-January 1996
'Hiroshige: artist of the open road', The British Museum, London, 1 May-7 September 2025

Brought to you by

Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Japanese and Korean Art

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Lot Essay

Hiroshige presents an elegant view of Mount Fuji rising beyond a gently rolling landscape, with a narrow stream descending as a waterfall in the foreground. Particularly striking is the treatment of Fuji and the surrounding kasumi (haze), which are rendered entirely without outlines. Instead, subtle gradations of pale color allow the mountain and haze to dissolve softly into the surrounding sky, creating an exceptionally atmospheric sense of distance. Tall pine trees frame the composition, while the red band of the distant horizon provides a restrained accent of color. The broad, curving format of the fan enhances the panoramic quality of the scene, while the simplified forms and delicate tonal transitions give the design a quiet and poetic character.

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