UTAGAWA HIROSHIGE (1797-1858)
UTAGAWA HIROSHIGE (1797-1858)
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Property from the Alan Medaugh Collection
UTAGAWA HIROSHIGE (1797-1858)

Kanbara yoru no yuki (Evening snow at Kanbara)

Details
UTAGAWA HIROSHIGE (1797-1858)
Kanbara yoru no yuki (Evening snow at Kanbara)
Woodblock print, from the series Tokaido gojusan tsugi no uchi (Fifty-three stations of the Tokaido), signed Hiroshige ga, published by Takenouchi Magohachi (Hoeido), circa 1834
Horizontal oban: 10 x 14 5⁄8 in. (25.4 x 37.1 cm.)
Provenance
Israel Goldman Japanese Prints, London
Acquired from the above, 2008
Literature
Hiroshige Nature and the City: Prints from the Alan Medaugh Collection (Ludion, 2023). Plate no. 140C.

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Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Japanese and Korean Art

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Lot Essay

Kanbara is among the most celebrated snow scenes in Hiroshige’s Tokaido gojusan tsugi no uchi (Fifty-three Stations of the Tokaido). Three travelers, their heads bowed against the elements, make their way through heavy snowfall in the otherwise deserted village of Kanbara. The deep blue-gray sky and densely falling snow envelop the landscape in an atmosphere of profound stillness, while the small figures heighten the sense of isolation and human vulnerability.
Although Hiroshige is known to have traveled through Kanbara in late summer or early autumn, the snow-covered landscape is an imagined vision rather than a literal depiction of the site. This poetic transformation of the familiar Tokaido landscape reveals Hiroshige’s ability to transform a recognizable place into an evocative vision of winter stillness and solitude.

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