UTAGAWA HIROSHIGE (1797-1858)
UTAGAWA HIROSHIGE (1797-1858)
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Property from the Alan Medaugh Collection
UTAGAWA HIROSHIGE (1797-1858)

No. 19 Karuizawa

Details
UTAGAWA HIROSHIGE (1797-1858)
No. 19 Karuizawa
Woodblock print, from the series Kisokaido rokujukyu tsugi no uchi (Sixty-nine stations of Kisokaido Road), signed Hiroshige ga, published by Iseya Rihei (Kinjudo) and Takenouchi Magohachi (Hoeido), circa 1835-38
Horizontal oban: 9 5⁄8 x 14 3⁄8 in. (24.4 x 36.5 cm.)
Provenance
Mita Arts Gallery, Tokyo
Acquired from the above, 2000
Literature
Chris Uhlenbeck and Marije Jansen, Hiroshige: Shaping of Image of Japan (Hotei Publishing, 2008). Plate 56.
Matti Forrer. Hiroshige (Prestel, 2017). Plate 64.
Hiroshige Nature and the City: Prints from the Alan Medaugh Collection (Ludion, 2023). Plate no. 155.
Alfred Haft, Hiroshige: artist of the open road (UK: The British Museum Press, 2025), Exh. cat., Plate 53.
Exhibited
'Hiroshige: Shaping of the Images of Japan", SieboldHuis, Leiden, 31 October-14 December 2008
'Hiroshige: artist of the open road', The British Museum, London, 1 May-7 September 2025

Brought to you by

Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Japanese and Korean Art

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Lot Essay

In Karuizawa, from the series Kisokaido rokujukyu tsugi no uchi (The Sixty-nine Stations of the Kisokaido), Hiroshige depicts travelers pausing at a roadside tea house on a dark mountain evening. The scene is particularly remarkable for its subtle treatment of light: the warm glow of the lantern and firelight stands out dramatically against the deep darkness of the surrounding night, illuminating the figures and nearby objects while leaving the distant landscape in darkness. This dramatic contrast between light and shadow creates an intimate, atmospheric nocturne and demonstrates Hiroshige’s exceptional sensitivity to the poetic possibilities of nighttime light.

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