A KIRMAN TRICLINIUM CARPET
A KIRMAN TRICLINIUM CARPET
A KIRMAN TRICLINIUM CARPET
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A KIRMAN TRICLINIUM CARPET
5 More
PROPERTY FROM AN IMPORTANT PRIVATE EUROPEAN COLLECTION
A KIRMAN TRICLINIUM CARPET

SOUTH EAST PERSIA, LATE 19TH CENTURY

Details
A KIRMAN TRICLINIUM CARPET
SOUTH EAST PERSIA, LATE 19TH CENTURY
Mostly full pile throughout, minute touches of light wear, occasional light surface marks, overall very good condition
26ft.8in. x 17ft.11in. (818cm. x 546cm.)
Engraved
The inscriptions on the dark blue and ivory cartouches around the central miyan farsh field are verses from the tarjiband (stanzaic love poem) of Sa'di (d.1291) beginning with:

ey sarv-e boland-qamat-e dust
vah vah ke shamayelat che nikust

'O tall-statured cypress of the beloved
Bravo, bravo, how lovely is your appearance'

In the centre of the lower outer guard stripe of the miyan farsh:

farmayesh-e ('commisioned by') Milani-Sho'ar
Further details
Some countries prohibit or restrict the purchase and/or import of Iranian-origin property. Bidders must familiarise themselves with any laws or shipping restrictions that apply to them before bidding on these lots. For example, the USA prohibits dealings in and import of Iranian-origin “works of conventional craftsmanship” (such as carpets, textiles, decorative objects, and scientific instruments) without an appropriate licence. Christie’s has a general OFAC licence which, subject to compliance with certain conditions, would enable a buyer to import certain non-carpet lots of this type into the USA. If you intend to use Christie’s licence, please contact us for further information before you bid. Please note that buyers wishing to import Persian rugs or carpets into the USA will need to apply for their own OFAC licence for this activity.

Brought to you by

Phoebe Jowett Smith
Phoebe Jowett Smith Sale Coordinator & Cataloguer

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Lot Essay

The design of this carpet is known as a 'Triclinium' or 'Audience' carpet. The layout comprises the three main areas of the domestic Persian living room, the miyan farsh (main carpet) flanked by two kenareh (side panels or runners) and on one of its short sides by a kalleghi (known in the West as a kelleh) (see Jennifer Scarce, ‘The Role of Carpets within the 19th Century Persian Household’, HALI 24, 1984, pp.394-400, fig.11). One may thus imagine a communal gathering sitting within miyan farsh from where they would be able to recite the stanzaic verses of Sa'di.

Milani is one of a small number of Kirman workshops, along with Dimaqani and Salmassi amongst others, who seem to have worked more to the European market. Milani more than the others however worked with more traditional designs, but giving each a new and individual touch. This is seen in the large tree of life of the miyan farsh enclosed by a colourful and columned arch. Such weeping willow trees with white blossoms, often seen on Kirman carpets, are similar to those appearing in the arts of the 19th century Qajar courts (see lot 40 in this sale). Two carpets with the signature of Milani-Sho'ar were sold in these rooms. 8 October 2010, lot 74 and 212. While the latter was a finely woven silk example, the former was also of an impressive size such as the present lot, with a similar tree of life drawing at its centre, surrounded by similarly melodic and celebratory Persian verses.

A rare silk Heriz triclinium carpet was sold in these Rooms, lot 174. Two further examples from the Milani workshop were sold in these Rooms, 3 May 2001, lot 32, and 14 October 2004, lot 206.

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