A SET OF FOUR LOUIS XV SILVER BASKET-SHAPED SALT-CELLARS
A SET OF FOUR LOUIS XV SILVER BASKET-SHAPED SALT-CELLARS
A SET OF FOUR LOUIS XV SILVER BASKET-SHAPED SALT-CELLARS
A SET OF FOUR LOUIS XV SILVER BASKET-SHAPED SALT-CELLARS
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A SET OF FOUR LOUIS XV SILVER BASKET-SHAPED SALT-CELLARS

MARK OF JEAN-BAPTISTE-FRANÇOIS CHERET, PARIS, 1762

Details
A SET OF FOUR LOUIS XV SILVER BASKET-SHAPED SALT-CELLARS
MARK OF JEAN-BAPTISTE-FRANÇOIS CHERET, PARIS, 1762
Each of trefoil form, on scroll and rocaille feet leading to scallop shells, the sides chased with flutes, with arching ribbon-tied-reed handles and ribbon finial, marked three times on underside with charge, date letter (Y) and maker, some marks now illegible; on foot-rim with decharge; together with twelve assorted silver spoons, each engraved with accollé coats-of-arms, eight marked on stem with mark of Pierre-Nicolas Somme, Paris, 1772, four with mark of Claude-Auguste Aubry, Paris, 1766
4 ¼ in. (10 ½ cm.) wide
50 oz. 12 dwt. (1,575 gr.)
Provenance
Anonymous sale; Sotheby's, Zurich, 16 May 1979, lot 202.
with S. J. Phillips Ltd., London.
Acquired from the above by the Blaquier-Arrieta Family.

Présenté par

Charlotte Young
Charlotte Young Associate Director, Specialist

Descriptif du lot

Double salt-cellars were used for salt and pepper whilst triple salt-cellars were intended to hold fine salt, coarse salt, and pepper or other spices such as nutmeg. The concept of triple salt-cellars was therefore not uncommon in 1762. This specific basket-shaped model seems to have been first created in Sèvres Manufacture around that time, and many other examples in porcelain have survived. Conversely, the present silver versions appear to be the only known examples. Which version came first is a mystery. Of course designs were widely available to artisans and the popularity of the porcelain model could have prompted the commission of more precious versions. Indeed, porcelain manufactures and leading Parisian goldsmiths frequently responded to the same courtly fashions under Louis XV and Louis XVI and during the 1760s-1780s, silver and porcelain workshops often borrowed successful forms from one another.

Another version of this model in a double compartment also by Jean-Baptiste-François Cheret and dated 1762 is in the collection of the Musée des Arts Decoratifs in Paris (26866 A) illustrated in G. Mabille, Orfèvrerie française des XVIe, XVIIe, XVIIIe siècles: catalogue raisonné des collections du Musée des arts décoratifs et du Musée Nissim de Camondo, Paris, 1984, p. 48, no. 63.

En savoir plus sur The Blaquier-Arrieta Collection, Part I: Masterpieces

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