AN EARLY LOUIS XV FOUR-COLOUR GOLD AND TORTOISESHELL SNUFF-BOX
AN EARLY LOUIS XV FOUR-COLOUR GOLD AND TORTOISESHELL SNUFF-BOX
AN EARLY LOUIS XV FOUR-COLOUR GOLD AND TORTOISESHELL SNUFF-BOX
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AN EARLY LOUIS XV FOUR-COLOUR GOLD AND TORTOISESHELL SNUFF-BOX
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FROM THE JAIME ORTIZ-PATIÑO COLLECTION
AN EARLY LOUIS XV FOUR-COLOUR GOLD AND TORTOISESHELL SNUFF-BOX

MARK OF JEAN-FRANÇOIS RAVECHÉ (RAVECHET), PARIS, 1725; SIGNED GOUERS À PARIS

Details
AN EARLY LOUIS XV FOUR-COLOUR GOLD AND TORTOISESHELL SNUFF-BOX
MARK OF JEAN-FRANÇOIS RAVECHÉ (RAVECHET), PARIS, 1725; SIGNED GOUERS À PARIS
Shaped rectangular with serpentine double-ogee ends, the cover and base set with a tortoiseshell panel applied with vari-colour gold rococo trophy of shells, algae, flowers and foliage, the front and back panels chased with varicoloured gold lake scenes with boats surrounded by shells, the ends with cornucopia of fruits, baskets of shells and flower bouquet, marked inside with charge, date-letter (I) and maker; the flange with decharge 1726-1732 and engraved with 'Gouers A Paris'
2 5⁄8 in. (6.8 cm.) long
gross weight 4 oz. 1 dwt. (126 gr.)
Provenance
M. Renshaw Esq.; Christie's, London, 23 June 1959, lot 160.
with A. K. Snowman (1919-2002), London.
Jaime Ortiz-Patiño (1930-2013).
The Jaime Ortiz-Patiño Collection, Part II; Christie's, London, 27 November 1973, lot 21.
with Wartski, London.
Acquired from the above by the Blaquier-Arrieta Family.
Literature
C. Le Corbeiller, European and American Snuff Boxes, London, 1966, fig. 627.
A. K. Snowman, Eighteenth Century Gold Boxes of Europe, London, 1966 pl. 128.
A. K. Snowman, Eighteenth Century Gold Boxes of Paris: A Catalogue of the J. Ortiz-Patiño Collection, London, 1974, p. 17, cat. no. 3.
A. K. Snowman, Eighteenth Century Gold Boxes of Europe, London, 1990, p. 94, pls. 140-141.

COMPARATIVE LITERATURE:
A. Maze-Sencier, Le Livre des collectionneurs, Paris, 1885.
H. Williams (ed.), Snuffboxes: Compendium. Snuffboxes in the Iakobachvili Collection, Vol. III, Monaco, 2026.
Exhibited
London, Victoria and Albert Museum, C.I.N.O.A. International Art Treasures, 2 March - 29 April 1962, no. 362.

Brought to you by

Charlotte Young
Charlotte Young Associate Director, Specialist

Lot Essay

The style of this box, which combines gold and tortoiseshell, is characteristic of the period, when goldsmiths were still affected by sumptuary laws limiting the quantity of precious metal that could be used in a single object. As a result, they often resorted to alternative materials such as hardstone, mother-of-pearl, and tortoiseshell.

Jean-François Raveché was born in Versailles. His father was a barbier-perruquier du Roi, whilst his maternal uncle, Antoine Maginel, and his cousin, Philippe-Antoine Maginel, were both goldsmiths. He was received as a master in 1720 by lettres patentes, sponsored by Denis Boutry. He died in 1747, although his widow continued the business, signing boxes as Veuve Raveché. She later married the gold box maker Jean-François Garand.

The Parisian goldsmiths' trade was a relatively small community, and Raveché probably met Daniel Gouers (or Govers) through his brother Jean-Antoine, who had presented his masterpiece to Gouers before being admitted as a master in Versailles. By the time this box was made, Gouers was already supplying the Menus-Plaisirs du Roi, if not serving as its principal supplier. Indeed, Maze-Sensier records that on the occasion of Louis XV's marriage to Marie Leszczyńska on 5 September 1725, Gouers supplied 69,110 livres' worth of snuff-boxes, watches, étuis, scent bottles, and other bijoux divers (see Maze-Sensier, op. cit., 1885, p. 152). Such an extraordinary volume of production suggests that Gouers necessarily subcontracted work to other goldsmiths, quite possibly including Raveché, while nevertheless retaining his own signature on the flanges of the boxes.

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