Details
Album leaf
gouche heightened with gold on paper, possibly Desvarati Ragini, showing a lady reclining on a low seat with two pieces of pan beside her, while her maid stands nearby holding a small gold cup and blue and white pottery bottle, (negligible wear), style of Mir Chand, Lucknow, circa 1770 - 8¼ x 5¾in. (21 x 14.7cm.), verso with panel of four lines of large black naskh calligraphy in clouds on gold and silver scrolling vine ground, signed by Muhammad 'Ali and dated AH 1196/1781-2 AD, both within borders of polychrome flowering sprays on cream paper within narrower borders of scrolling vine on coloured ground, framed and glazed - 8½ x 4¾in. (21.7 x 12cm.), leaf - approx 15½ x 11in. (39.6 x 28cm.)
See back cover and illustration
Provenance
Bought by the present owner at a English country sale in the late 1960s from a lady whose father, an officer in the Indian Army, had acquired them during his life in India in the early part of this century.

Lot Essay

This and the following lot have borders in identical style to leaves from albums made for and commissioned by Antoine Polier in the second half of the 18th century (now known as the Hamilton Albums in the collection of the State Museum of Berlin). The leaves are also of similar size (40/40.5 x 28/28.5 cm. being the commonest size of the Hamilton Albums) and it can be assumed they were produced at the same time and by the same atelier as the Hamilton Albums.
Polier (1736-95) worked in Lucknow from 1766 until 1789, when he returned to France, and it was during this time that he commissioned much of his collection. The albums now in Berlin were acquired by William Beckford of Fonthill Abbey, Wiltshire before going to Hamilton and then to Berlin. It would thus seem unlikely that the present two leaves are from the albums acquired by Beckford, but it is possible they were dispersed from Polier's collection in India before the albums came to England, maybe as a gift. Equally possible is that they come from an album produced for a collector contemporary with Polier: in an eighteenth century portrait by Zoffany, Polier is shown looking at paintings with several connoisseur friends while an album lies open on the table (Archer, M.: India and British Portraiture 1770-1825, London 1979, Pl.VII).
See also: Hickman & Enderlein: Indische Albumblatte, Leipzig 1979, eg nos 24, 49 and Weber R.: Portrats und historische Dastellungen, Berlin 1982, nos 72-92.

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