Cardigan Bridge
Details
Sir Francis Seymour Haden
Cardigan Bridge
etching with drypoint, 1864, with margins, second state of two, laid paper, generally in good condition, hinged top edge, (unframed);
Charles William Cain, Bagdad, etching with drypoint, signed and numbered 5.77 in ink, laid paper with deckle edge, hinged top edge
P. 9½ x 6¼in (24 x 16cm)
with Hommage, an etching by the same artist; and Frederick Landseer Maur Griggs, Castor, etching 1927
P. 9½ x 6¼in (24 x 16cm)
an etching with drypoint by the same artist, 'Hommage', signed and numbered, (unframed); Malcolm Osbourne etchings of Sussex Downs and St. Stephen's Walbrook and a pair of Charles Watson etchings of Swadale, Richmond Bridge, Yorkshire, 1898, wove paper, (unframed)
2 (8)
Cardigan Bridge
etching with drypoint, 1864, with margins, second state of two, laid paper, generally in good condition, hinged top edge, (unframed);
Charles William Cain, Bagdad, etching with drypoint, signed and numbered 5.77 in ink, laid paper with deckle edge, hinged top edge
P. 9½ x 6¼in (24 x 16cm)
with Hommage, an etching by the same artist; and Frederick Landseer Maur Griggs, Castor, etching 1927
P. 9½ x 6¼in (24 x 16cm)
an etching with drypoint by the same artist, 'Hommage', signed and numbered, (unframed); Malcolm Osbourne etchings of Sussex Downs and St. Stephen's Walbrook and a pair of Charles Watson etchings of Swadale, Richmond Bridge, Yorkshire, 1898, wove paper, (unframed)
2 (8)