CECIL BEATON

Baba Beaton and Esther (Etty) Beaton, circa 1925-1930

Details
CECIL BEATON
Baba Beaton and Esther (Etty) Beaton, circa 1925-1930
Eight gelatin silver prints, various sizes from 8 1/8 x 5 3/8 in. to 9 7/8 x 7½ in., three untrimmed, each with retouching possibly for publication, one inscribed in ink Crivelli on recto and titled in ink on verso, the others titled in pencil on verso. (8)
Literature
Mellor, D. (Ed.), Cecil Beaton, p. 18.

Lot Essay

Costume portraits of Beaton's sister and mother comprising one of Baba posed in a medieval dress of silver brocade; three of her as Lady Mary Beaton, one of the four maids of Mary, Queen of Scots; one of her at fifteen (illus.); a portrait of Esther Beaton as Lady Mary Beaton and two of her as Madame de Pompadour. David Mellor writes of this period in Beaton's early career when he was especially concerned about the social standing of his family and promoted a fictitious line of descent from the Beatons in the court of Mary Stuart. For a brief period during 1925 he also signed his work with the name of Crivelli after the Venetian Renaissance artist Carlo Crivelli.

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