Critical Remarks on Sir Charles Grandison, Clarissa and Pamela ... by a lover of virtue, London: for J. Dowse, 1754, 8°, 64pp., marginal annotations in a contemporary hand (severe paper fault affecting F4) [bound with:] Thomas D'URFEY. The English Stage Italianiz'd in a new dramatic entertainment called Dido and Aeneas or Harlequin, London: for A. Moore, 1727, 8°, 24pp. [and:] Samuel FOOTE. A Letter from Mr. Foote to the Reverened Author of the Remarks, critical and Christian, on the Minor, London: for T. Davies, T. Becket and J. Coote, 1760, 8°, [4] + 40pp., with half title [and:] Whipping Rods for trifling Scurrhill Scribblers as Mr F--t on Taste ... , London: for M. Cooper, 1752, 8°, xv [xiii] + [1] + 34pp. [and:] Useful Transactions in Philosophy and other sorts of Learning for the months of January and February, 1708/9, London: for Bernard Lintott, [1709], one part only [of 3 published], 8°, [6 (?) only] + 59 + [1]p., engraved frontispiece [A parody of the Philosophical Transactions. ESTC calls for 8 prelims. not 6], together 5 WORKS IN ONE VOLUME, ALL FIRST EDITIONS, late 19th-century brown half morocco, corn sheaf crest gilt-stamped on upper cover, bookplate of Robert, Marquis of Crewe. With 8 other volumes, one containing 2 tracts, Vox Populi Vox Dei: Being True Maxims of Government (first edition, London, 1709, 40pp.) variously attributed to Daniel Defoe, John Dunton and John Summers, and Kiss my A[rse] is no Treason: or An historical and critical dissertation upon the art of selling bargains (first edition, London, 1728, 4 + 28pp.). (9)