An important Belgian bronze group, entitled 'L'Age d'Or', on pedestal

CAST FROM A MODEL BY JEAN-JOSEPH JAQUET, CIRCA 1851

Details
An important Belgian bronze group, entitled 'L'Age d'Or', on pedestal
Cast from a model by Jean-Joseph Jaquet, Circa 1851
Of a naked kneeling bacchante supporting a vine-bearing putto on her shoulders, on a naturalistically-cast base inscribed J. J. JACQUET and with title plaque to the front; on a cylindrical griotte marble pedestal
The bronze: 48½ in. (123.2 cm.) high
The pedestal: 35½ in. (90 cm.) high (2)
Literature
J. Van Lennep, Catalogus van de 19 de Eeuwse Belgische Beeldhouwkunst, exhibtion organised by La Générale de Banque, Brussels, 1990, pp. 67; 458-459.

Lot Essay

Born in Anvers, Jean-Joseph Jaquet (d. 1898) studied in his home town before moving on to the Academy in Brussels and later serving his apprenticeship in the studio of Guillaume Geefs (d. 1883). He first exhibited at the Brussels Salon in 1842, showing religious busts and figures which were well-received by the public and critics. Three years later, a total of eleven works were exhibited, establishing Jaquet as a high calibre sculptor and resulting in numerous commissions both by the state and private individuals. The first such commission was the marble version of the present work, L'Age d'Or, which in its plaster model form was the sensation of the Salon of 1851. The marble is now in the collection of the Musée Royale de Beaux Arts in Brussels. Such was the popularity of Jaquet's prolific oeuvre that more than fifty of his works were edited in bronze, mostly by the best-known French foundries. No other life-size bronze casts of L'Age d'Or are known to exist.

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