A Rare Masonic Nagasaki Lacquer Box And Another Nagasaki Box

LATE 19TH CENTURY

Details
A Rare Masonic Nagasaki Lacquer Box And Another Nagasaki Box
Late 19th Century
The first with hinged cover and decorated in gold and silver hiramakie, togidashi and aogai inlay with an octagonal panel to the cover containing various Masonic symbols, the sides with sprays of flowering cherry blossom, nashiji interior, some old wear and dents; and the other with a hinged cover decorated in aogai and hirame on a roironuri ground with houses by a lake, a smiling couple among buildings with mountains beyond, the sides with sprays of plum blossom, chrysanthemum and other flowers, the kanagu with stylised foliage and a bat, interior in red lacquer, some old wear and small pieces of inlay missing
12½ x 36 x 6½in. (31.8 x 7.7 x 16.4cm.) and 11.7/8 x 1¾ x 6½in. (30.2 x 4.4 x 16.5cm) respectively (2)
Sale room notice
Please note the date of the first piece is circa 1820-1830 and the date of the second piece is circa 1830-1850.

Lot Essay

Most Nagasaki lacquer ware is European in shape and its distinguishing feature is a combination of pearly-white and iridescent shell cut paper-thin with the resulting translucency used for pictorial effect by backing it with colours. For other examples of this ware see Nihon bijutsu no naka no seiyo, Western Influence on Japanese Art, 16th-19th century, (Fukuoka, 1995), pls. 71, 72, 74, 78 and 79.
The first box was for Masonic implements and made specially to order. Among the emblems is the number 8 on its side, Infinity. This refers to a life lived according to higher criteria, i.e. doing the things which need to be done, rather than acting according to personal likes and dislikes. The wand of Hermes (Mercury) signifies healing and the candles are a symbol of inner truth.
The second box is of similar form and probably for the same use. It has an unusual sliding catch.

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