A Louis-Philippe ormolu mantel clock

IN THE NEO-RENAISSANCE STYLE, THE CASE BY THOMIRE ET CIE, CIRCA 1840

Details
A Louis-Philippe ormolu mantel clock
In the Neo-Renaissance Style, The case by Thomire et Cie, Circa 1840
The rectangular case with a stepped pediment, surmounted by a vase flanked by scrolls, above a circular engraved silvered dial with Roman numerals, inscribed THOMIRE ET CIE and MOINET L'AINE horloger, with a twin-train movement, flanked by a pair of putti, above low relief panels decorated with a peacock, grotesque masks and vases, flanked by a half-fluted baluster-shaped column to each side, on a shaped rectangular plinth
26½ in. (67.5 cm.) high; 15¾ in. (40 cm.) deep; 7½ in. (19 cm.) deep
Sale room notice
The dial on this clock is enamel.

Lot Essay

The firm of Thomire et Cie was established by Pierre-Philippe Thomire (d. 1843), certainly one of the most well-known and important bronziers. He trained under Pajou and Houdon at the Academie de Saint-Luc and later under the master bronzier Gouthière.
A similar but less elaborate clock, made for the 1842 Paris Exhibition, is illustrated in Tardy, La Pendule Franaise, des origines à nos jours, pt. II. It is now in the Musée des Arts Décoratifs, Paris.
Louis Moinet (d. 1853), who had worked for the most celebrated watchmaker, Abraham Louis Breguet, collaborated with Thomire on a number of commissions. Another example of their combined work is in the Britsh Embassy in Paris.
Known as Thomire et Cie from 1819, the company ceased in the early 1850's, unable to adapt to the changing styles of the second half of the century and anchored by the high standards of its deep-rooted manufacturing techniques, which made its own production costs vastly greater than others.

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