Lot Essay
A very similar example with impressed decoration around the shoulder is in the Archaeological Museum, Pagan, illustrated in line-drawing by Sylvia Fraser-Lu, Burmese Crafts Past and Present, Oxford, 1994, p.200. After the fall of the Pagan in Lower Burma, the Mon who had previously been established in the area, continued a rich and varied pottery tradition combining both earlier Mon and Pagan traditions. The stamped designs of geometric or vegetal decoration are a recurrent feature in the Pagan and post-Pagan ceramic traditions, and can be found on vessels, as well as on bricks or tiles, the latter probably indicating the source of this distinctive tradition.