A 17th-Century Augsburg polychrome painted and gilt wood astronomical quarter striking and quarter repeating monstrance clock,

Details
A 17th-Century Augsburg polychrome painted and gilt wood astronomical quarter striking and quarter repeating monstrance clock,
the backplate signed Ciprianus Retter Augsburg, and later engraved 1626, the movement with five gilt baluster pillars with crenellated rings, foliate pierced and engraved set-up work to the going train barrel, chain fusee, foliate engraved gilt going barrels for the hour and quarter strike on two bells, later countwheel, the strike hammer engraved with faces, re-built verge escapement, later pull quarter repeat striking via two hammers, the top plate with four lobed corners for motion work for the subsidiary dials indicating the day of week (with deity), engraved with a central dolphin, month ring engraved with the zodiac and a dragon to the centre, date ring engraved with a stag by a tree, and age and phase of the moon, later chapter ring and bezel with central plaque engraved with sphinxes -- the dial case 14½in. (37cm.) wide, 46in. (116.5cm.) high

See Front Cover, Colour Illustration and Details
Literature
ABELER, Jrgen Meister Der Uhrmacherkunst (Wuppertal, 1977)
MAURICE, Klaus Die Deutsche Räderuhr (Munich, 1976)

Lot Essay

Abeler notes that Reutter was working in Augsburg between 1633 and 1704, and locates three of his clocks in institutional collections (the Maximilian Museum in Berlin, and the Kassel and Nordiska Museums), and one in a private collection. Maurice illustrates and describes the present example as item 591, commenting: "Herrn Dr. Alfred Schädler, Mnchen, verdanke ich den Hinweis, daß die Figur wohl um die Mitte des 17. Jh. entstanden sei, dann wäre das vorhandene Werk montiert worden" (volume II, p. 77). As "1626" is not the date of the movement, it is probable that it is contemporary with the figure. Certain alterations to the movement and dial suggest that the clock might originally have been designed to hang on a wall, and was later adapted to a monstrance style.

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