Lot Essay
This composition is first known to appear in an engraving by Pierre Daret which dates from the 17th century and was inscribed with the name Caravaggio (see H. Voss, Prussian Jahrbuch, 1923, pp. 81f). the present painting is one of four known versions of this composition. Critics disagree as to whether this composition was invented by Caravaggio or by one of his followers. Whereas Moir and Kitson (see Literature above) do not believe that the copies derive from an original by Caravaggio, Benedict Nicolson, in his International Caravaggesque Movement, 1979, p. 32, lists this composition as a lost(?) original. The other three versions of this composition are in the Berlin-Dahlem Museum, no. 1908, the Muse de Beaux-Arts, Tours, ex-Richelieu Collection, formerly with Acquavella Gallery, New York.