A VICTORIAN PARCEL-GILT SILVER FLASK

MAKER'S MARK OF GEORGE FOX, LONDON, 1866

细节
A VICTORIAN PARCEL-GILT SILVER FLASK
Maker's mark of George Fox, London, 1866
In the Gothic taste, the lobed chased matte acorns and oak leaves at intervals on a matte ground, the elongated square neck also with similar decoration, the circular lobed lid with cork surmounted by a foliate finial and with a chain attached to neck, the base also chased with Gothic tracery and oak, marked on neck and twice on lid, also with retailer's LAMBERT COVENT LONDON
19in. (48.2cm.); gross weight 62oz. 10dwt. (1945gr.)

拍品专文

An identical flask of 1851 is in the Victoria and Albert Museum. This model was first manufactured by Lambert & Rawlings and exhibited at the Great Exhibition of 1851 where the firm was awarded a Prize medal for their 'carefully-executed, elegant and novel silversmiths' work' (Report of the Juries, p. 516, quoted in John Culme, The Directory of Gold & Silversmiths, vol. I, London, 1987, p.282).
According to the exhibition's official catalogue, it took twelve weeks to produce it and another two weeks for the gilding and finishing. The flask was purchased by the Fine Arts Commission for the nascent collection of the Museum of the School of Design at Marlborough House, as an example of good design. This institution, later renamed the Victoria and Albert Museum, established by Prince Albert with help of design reformer Henry Cole, opened to the public in 1852. Its mission was to educate British designers and manufacturers on how science and art could be successfully applied to the industrial arts (See Philippa Glanville ed., Silver, Victoria and Albert Museum, London, 1996, p. 63).