拍品專文
For another impression of the second see Kawakita Michiaki, Contemporary Japanese Prints, trans. John Bester (Tokyo and Palo Alto: Kodansha International Ltd., 1967), no. 87.
細節
IKEDA SHUZO (b. 1922)
Bodhisattva
Mimai iumai kikumaizo (Hear, see, speak no evil)
Woodcut, the first signed in Roman script Shu. Ikeda, dated 55 in ink, numbered No 7; the second signed in Roman print Shu. Ikeda, signed in ink in Japanese Ikeda Shuzo, titled in ink as above, dated --59 and numbered 8/20, the first ink stains and creases around edges, slight glue stains in upper corners, the second slight stains to upper edge
ISHII TSURUZO (1887-1973)
Monkey
Woodcut, with white ink, 1956, signed in pencil in Japanese Ishii Tsuruzo saku and dated Showa 31 (1956), with inscription in ink Geijutsu shashin kenkyu hyoshiyo (for the cover of Geijutsu shashin kenkyu), sealed with a simplified character Tsuru in Japanese in the image
45.3/8 x 13.3/8in. (64.3 x 34cm.); 12 x 20in. (31.8 x 52.7cm.); 7 x 5.3/8in. (19.7 x 13.7cm.) (3)
Bodhisattva
Mimai iumai kikumaizo (Hear, see, speak no evil)
Woodcut, the first signed in Roman script Shu. Ikeda, dated 55 in ink, numbered No 7; the second signed in Roman print Shu. Ikeda, signed in ink in Japanese Ikeda Shuzo, titled in ink as above, dated --59 and numbered 8/20, the first ink stains and creases around edges, slight glue stains in upper corners, the second slight stains to upper edge
ISHII TSURUZO (1887-1973)
Monkey
Woodcut, with white ink, 1956, signed in pencil in Japanese Ishii Tsuruzo saku and dated Showa 31 (1956), with inscription in ink Geijutsu shashin kenkyu hyoshiyo (for the cover of Geijutsu shashin kenkyu), sealed with a simplified character Tsuru in Japanese in the image
45.3/8 x 13.3/8in. (64.3 x 34cm.); 12 x 20in. (31.8 x 52.7cm.); 7 x 5.3/8in. (19.7 x 13.7cm.) (3)