Lot Essay
In 1966 Ikeda was at the Tamarind Lithography Workshop in Los Angeles. For other impressions see Oshita Atsushi, Ikeda Masuo zen hanga/Masuo Ikeda Prints (Tokyo: Bijutsu Shuppansha, 1991), pls. 421 and 483.
NYUYOKU KARA KITA ONNA (WOMAN FROM NEW YORK) FUASHON (FASHION)
Details
IKEDA MASUO (1934-1997)
Nyuyoku kara kita onna (Woman from New York)
Fuashon (Fashion)
The first lithograph and the second drypoint, roulette and mezzotint, the first signed and dated in pencil in Roman script M. Ikeda '66, numbered Epr d'Artist (the edition was 20), with two Tamarind blind stamps; and the second signed and dated in pencil M. Ikeda '69, numbered in pencil Epr d'Artiste, blind-stamped Masuo Ikeda Original Etching, the second with mat stain.
27 x 21.5/8in. (70.5 x 55cm.); 20 x 17.1/8in. (53.1 x 43.4cm.) (2)
Nyuyoku kara kita onna (Woman from New York)
Fuashon (Fashion)
The first lithograph and the second drypoint, roulette and mezzotint, the first signed and dated in pencil in Roman script M. Ikeda '66, numbered Epr d'Artist (the edition was 20), with two Tamarind blind stamps; and the second signed and dated in pencil M. Ikeda '69, numbered in pencil Epr d'Artiste, blind-stamped Masuo Ikeda Original Etching, the second with mat stain.
27 x 21.5/8in. (70.5 x 55cm.); 20 x 17.1/8in. (53.1 x 43.4cm.) (2)