REFERENCE BOOKS on Japanese painting and prints: KONDO Ichitaro. Japanese Genre Painting, The Lively Art of Renaissance Japan (Rutland, Vt. and Tokyo: Charles E. Tuttle Co., 1961); KAEMPFER, H.M. "Ukiyo-e Studies and Pleasures", A collection of ess

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REFERENCE BOOKS on Japanese painting and prints: KONDO Ichitaro. Japanese Genre Painting, The Lively Art of Renaissance Japan (Rutland, Vt. and Tokyo: Charles E. Tuttle Co., 1961); KAEMPFER, H.M. "Ukiyo-e Studies and Pleasures", A collection of essays on the art of Japanese prints (The Hague: Society for Japanese Arts and Crafts, 1978); STERN, Harold P. Ukiyo-e Painting, I, Freer Gallery of Art Fiftieth Anniversary Exhibition (Washington, D.C.: Smithsonian Institution, 1973); SHIMIZU Yoshiaki and John Rosenfield. Masters of Japanese Calligraphy, 8th - 19th Century (New York: Japan House Gallery and The Asia Society, 1984); NAKATA Yujiro. The Art of Japanese Calligraphy, vol. 27, The Heibonsha Survey of Japanese Art (New York, Tokyo: Weatherhill/Heibonsha, 1973); MIYAJIMA Shin'ichi, Sato Yasuhiro, and George Kuwayama, eds. Japanese Ink Painting (Los Angeles: Los Angeles County Museum of Art, 1985); Katachi, Japanese Pattern and Design in Wood, Paper and Clay, Iwamiya Takeji, photographer (New York: Harry N. Abrams, n.d.); STERN, Harold P. Birds, Beasts, Blossoms and Bugs, The Nature of Japan (New York: Harry N. Abrams., 1976); TOKUGAWA Yoshinobu et al., The Tokugawa Collection, No Robes and Masks (New York: Japan House Gallery, 1977); MUNSTERBERG, Hugo. The Folk Arts of Japan (Rutland, Vt. and Tokyo: Charles E. Tuttle Co., 1959); CORT, Louise Allison. Seto and Mino Ceramics, Japanese Collections in the Freer Gallery of Art (Washington, D.C.: Smithsonian Institution, 1992); Meiji-Taisho no meisaku hanga ten (Exhibition of Meiji and Taisho print masterworks), exh. cat. (Osaka: Nikkei Shinbun, 1979); MERRITT, Helen. Modern Japanese Woodblock Prints, The Early Years (Honolulu: University of Hawaii Press, 1990) (13)