PABLO PICASSO

La Femme au Tambourin (B. 310; Ba. 646)

Details
PABLO PICASSO
La Femme au Tambourin (B. 310; Ba. 646)
aquatint and scraper, 1939, on Arches, a rich, black, velvety impression with strong contrasts, signed in pencil, numbered 30/30, with full margins, a short repaired tear at the extreme left margin edge, a small skinned spot at the reverse of the top margin, otherwise in excellent condition, framed
P. 26.1/8 x 20in. (663 x 508mm.)

Lot Essay

The 1930's was a decade of major political upheaval in Europe with the rise of Fascism in Germany and Italy and the Civil War in Spain. For Picasso, who observed these changes closely, it was also the decade in which he produced the important and felt images of his printmaking career. These include La Minotauromachie (B. 288; Ba. 573), La Femme qui Pleure, I (B. 1333; Ba. 623) and La Femme au Tambourin (B. 310; Ba. 646).

Although superficially an evocation of joy, La Femme au Tambourin is rather the personification of frenzy, dancing through a world on the brink of war. Taken from sources as diverse as a Degas monotype and a Baccanal by Poussin and inspired by the persona of Dora Maar, La Femme au Tambourin is a fusion of many influences united to produce Picasso's most powerful full length female nude in the print media.