JULIA MARGARET CAMERON

Thomas Carlyle, 1867; Robert Browning, circa 1866-68; Sir Henry Taylor, circa 1865; James Spedding, 1864

細節
JULIA MARGARET CAMERON
Thomas Carlyle, 1867; Robert Browning, circa 1866-68; Sir Henry Taylor, circa 1865; James Spedding, 1864
Four albumen prints, 3¼ x 2¼ in., 2¼ x 1.15/16 in., 2¼ x 1¾ in. (oval) and 3½ x 2¼ in. respectively, each mounted as a carte-de-visite, the first signed in ink From Life Registered Julia Margaret Cameron and with inscription Carlyle in pencil on mount, the first three with gilt edges, each with annotations in pencil including dates in a later hand on verso. (4)
出版
Gernsheim, ibid., p. 155 (Carlyle illus.); Howard, Whisper of the Muse, pl. 29 (Carlyle) and pl. 32 (Browning); Ovenden [Ed.], A Victorian Album, pl. 9 (Taylor); Weaver [Ed.], Whisper of the Muse, pl. 10 (Carlyle), p. 79, no. 29v (Taylor, uncropped) and p. 92, no. 72v (Browning).

拍品專文

Portraits of four of the most eminent writers of Victorian Britain. Carlyle (1795-1881), born in Scotland but later living in Chelsea, London, was best known as an essayist (for the Edinburgh Review) and historian (see also lot ). Robert Browning (1812-1889), one of England's greatest poets, returned to Britain in 1861 after the death of his wife Elizabeth Barrett Browning, with whom he had lived in relative seclusion in Italy for fifteen years. This portrait shows him at the height of his career in the late 1860s and was probably made at Little Holland House during the period when Browning was sitting for a portrait by G. F. Watts. Sir Henry Taylor (1800-1886), also a poet, was a great friend of Cameron, with whom he stayed at Dimbola House on the Isle of Wight every spring and autumn. James Spedding (1808-1881) was a historian and essayist, best known for editing and publishing the works of Francis Bacon. He sat for Cameron at Hendon Lawn, London.