JACQUES-HENRI LARTIGUE

Femme aux renards ou Arlette Prevost dite 'Anna la Pradvina' avec ses chiens Cogo et Chichi (Avenue des Acacias), Bois de Boulogne, 1911

Details
JACQUES-HENRI LARTIGUE
Femme aux renards ou Arlette Prevost dite 'Anna la Pradvina' avec ses chiens Cogo et Chichi (Avenue des Acacias), Bois de Boulogne, 1911
Gelatin silver print, 2.5/8 x 4.3/8 in., later signed, dated and annotated and with photographer's ink credit stamp on verso.
Literature
Lartigue, Diary of a Century Jacques-Henri Lartigue, pp. 61-62 (illus.); Poirot-Delpech et al., Jacques-Henri Lartigue le Choix du Bonheur, p. 71 (illus.); Lartigue and Metral, Mon Livre de Photographie, p. 44 (illus.); l'Association des Amis Jacques-Henri Lartigue, Le Regard du Temps Jacques-Henri Lartigue, p. 111 (illus.) and Bonjour Monsieur Lartigue, p. 21 (illus.); Frizot, Jacques-Henri Lartigue, p. 37 (illus.); Jammes, Bonjour Monsieur Lartigue, p. 55 (illus.); Bowen, Jacques-Henri Lartigue, p. 37 (illus.); Szarkowski, The Photographs of Jacques-Henri Lartigue, p. 19 (illus.) and Looking at Photographs, p. 67 (illus.); Favrod, Jacques-Henri Lartigue, p. 69 (illus.); Coe, Jacques-Henri Lartigue, p. 35 (illus.) and Chapier, Jacques-Henri Lartigue, unpaginated.

Lot Essay

In a single image, Lartigue captures the essence of the Belle Epoque: the 'Femme aux renards' represents all the luxuries and frivolities, the ornaments and eccentricities which soon gave way to restraint with the start of the war. The horse-carriage on the far right of the frame and the automobile coming in on the left make reference to the end of one era and the beginning of another. This image, taken at the age of seventeen, masterfully illustrates Lartigue's unique ability as a photographer. First and foremost, however, Lartigue was an observer of life: "Women...everything about them fascinates me - their dresses, their scent, the way they walk, the make-up on their faces, their hands full of rings and, above all, their hats...I am tired but so very happy at the thought of adding a few more photographs to my collection, that nothing matters. I walk down the Avenue du Bois de Boulogne in the direction of the Avenue des Acacias...She: the well-dressed, fashionable, eccentric, elegant, ridiculous or beautiful woman I'm waiting for. You can spot her from far away, in the midst of all the other people, just as you can immediately spot a golden pheasant when it's surrounded by chickens." (See Lartigue, Diary of a Century).

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