細節
COSIMO II and MARIA MADDALENA -- PARIGI, Giulio and Jacopo LIGOLA. Battaglia nauale rapra in Arno per le nozze del Sermo Prencipe di Toscana lanno 1608. [Florence: 1608].
2° (492 x 340mm). A series of 19 etchings (measuring between 176 x 281mm. and 191 x 267mm.) etched by Remigio Canta Gallina after drawings by Giulio Parigi (16), Jacopo Ligola (2) and another (1), all cut to the plate-line and inlaid. Later 17th-century Dutch blind-stamped vellum. Provenance: W. Battell (late 18th-century signature on first page); Institution of Naval Architects, Scott Library Collection (bookplate, sold at Christie's 5 December 1974, lot 368).
A MAGNIFICENT SET OF PLATES etched to commemorate the river fête, one of the entertainments at the wedding of Cosimo de'Medici to Maria Maddalena, daughter of the Hapsburg Archduke Charles of Graz and sister of the queen of Philip III of Spain. This [the Argonautica] was staged on the Arno and the most extraordinary and exotic boats had been constructed to bear the knights to the combat. In their design, which in the main was by Giulio Parigi (d.1635), they belong to a line of descent back to Vasari's mascarade of 1565 via Buonalenti's floats for the sbarra of 1589', Roy Strong, Art and Power, 1984. Vinet 607; Bartsch XX, pp. 62-63 & nos. 20-38; Scott 809.
2° (492 x 340mm). A series of 19 etchings (measuring between 176 x 281mm. and 191 x 267mm.) etched by Remigio Canta Gallina after drawings by Giulio Parigi (16), Jacopo Ligola (2) and another (1), all cut to the plate-line and inlaid. Later 17th-century Dutch blind-stamped vellum. Provenance: W. Battell (late 18th-century signature on first page); Institution of Naval Architects, Scott Library Collection (bookplate, sold at Christie's 5 December 1974, lot 368).
A MAGNIFICENT SET OF PLATES etched to commemorate the river fête, one of the entertainments at the wedding of Cosimo de'Medici to Maria Maddalena, daughter of the Hapsburg Archduke Charles of Graz and sister of the queen of Philip III of Spain. This [the Argonautica] was staged on the Arno and the most extraordinary and exotic boats had been constructed to bear the knights to the combat. In their design, which in the main was by Giulio Parigi (d.1635), they belong to a line of descent back to Vasari's mascarade of 1565 via Buonalenti's floats for the sbarra of 1589', Roy Strong, Art and Power, 1984. Vinet 607; Bartsch XX, pp. 62-63 & nos. 20-38; Scott 809.