TOTTI, Pompilio. Ritratto di Roma moderna. Rome: Mascardi, 1638. 8°. Engraved title and 84 large engravings in the text, 65 woodcuts. Contemporary vellum (spine rubbed, later endpapers). Provenance: Convent of the Friars Minor at Vincennes (contemporary ownership inscription at foot of title). Schudt 184 -- Francesco POSTERLA. Roma sacra, e moderna. Rome: Francesco Gonzaga, 1707. 8°. Engraved frontispiece and 5 folding plates, numerous woodcuts in the text. Modern vellum, original vellum binding and endpapers bound in at the end. BL 17th-Century Italian II, p. 917; Schudt 223 -- Giovanni Francesco CECCONI. Roma sacra, e moderna già descritta dal Pancirolo ed accresciuta da Francesco Posterla. Rome: Mainardi, 1725. 8°. Title in red and black, 16 folding engraved plates, numerous woodcuts in the text. (Occasional light browning.) Early 19th-century calf-backed sprinkled boards, gilt ornament in compartments of flat spine. Schudt 224. Provenance: Girolamo Caratti of Udine (signature on endpaper). (3)

細節

TOTTI, Pompilio. Ritratto di Roma moderna. Rome: Mascardi, 1638. 8°. Engraved title and 84 large engravings in the text, 65 woodcuts. Contemporary vellum (spine rubbed, later endpapers). Provenance: Convent of the Friars Minor at Vincennes (contemporary ownership inscription at foot of title). Schudt 184 -- Francesco POSTERLA. Roma sacra, e moderna. Rome: Francesco Gonzaga, 1707. 8°. Engraved frontispiece and 5 folding plates, numerous woodcuts in the text. Modern vellum, original vellum binding and endpapers bound in at the end. BL 17th-Century Italian II, p. 917; Schudt 223 -- Giovanni Francesco CECCONI. Roma sacra, e moderna già descritta dal Pancirolo ed accresciuta da Francesco Posterla. Rome: Mainardi, 1725. 8°. Title in red and black, 16 folding engraved plates, numerous woodcuts in the text. (Occasional light browning.) Early 19th-century calf-backed sprinkled boards, gilt ornament in compartments of flat spine. Schudt 224. Provenance: Girolamo Caratti of Udine (signature on endpaper). (3)